These are the best free Mac VST plugins that work on the Apple Mac Operating system. I have included a variety of Mac-native music instruments and audio effects.
I have included free Mac VST plugins such as pianos, samplers, drum machines, synthesizers, sequencers, guitars, keyboards, vinyl effects, audio effects, and more.
How we rate plugins: We rate each mac VST plugin based on sound quality, design, performance, features, usability, and compatibility. We rate plugins on a scale of 1 to 100.
Table of Contents

I have spent over 15 years testing and comparing hundreds of free and paid VST plugins, supported by hands-on demos on our YouTube channel, which has 11,000+ subscribers.
Best Free Mac VST Plugins
This table compares Mac VST plugins by operating system, bit version, format, and rating.
| # | Plugin | OS | Formats | Bit Version | Ratings |
|---|---|---|---|---|---|
| 1 | Vital | Windows Mac Linux | VST | 64-bit | |
| 2 | Surge XT | Windows Mac Linux | VST, AU, CLAP | 32-bit, 64-bit | |
| 3 | Graillon 2 | Windows Mac Linux | VST, AU, AAX, LV2 | 64-bit | |
| 4 | TyrellN6 | Windows Mac Linux | VST, VST3, AU, AAX, CLAP | 32-bit, 64-bit | |
| 5 | Sforzando | Windows Mac Linux | VST3, AU, AAX, CLAP | 32-bit, 64-bit | |
| 6 | Surrealistic MG-1 Plus | Windows Mac | VST, VST3, AU, AAX | 64-bit | |
| 7 | mvMeter2 | Windows Mac | VST, VST3, AU, AAX | 32-bit, 64-bit | |
| 8 | Ample Guitar M Lite II | Windows Mac | VST, AU | 32-bit, 64-bit | |
| 9 | Vocal Doubler | Windows Mac | VST, VST3, AU, AAX | 64-bit | |
| 10 | Ample Bass P Lite | Windows Mac | VST, VST2, AU, AAX | 32-bit, 64-bit | |
| 11 | TAL-NoiseMaker | Windows Mac Linux | VST, AU | 64-bit | |
| 12 | Grand Piano XXL | Windows Mac | VST3, AU | 64-bit | |
| 13 | Triple Cheese | Windows Mac Linux | VST, VST3, AU, AAX | 32-bit, 64-bit | |
| 14 | The Free Orchestra | Windows Mac | Kontakt | 64-bit | |
| 15 | Soft Piano | Windows Mac | VST, AU | 64-bit | |
| 16 | Melda MAutoPitch | Windows Mac | VST, AU | 64-bit | |
| 17 | Upright No. 1 | Windows Mac | VST, AU | 32-bit, 64-bit | |
| 18 | TruePianos | Windows Mac | VST, VST2, VST3, AU | 32-bit, 64-bit | |
| 19 | Helm | Windows Mac Linux | VST, VST3, AU, AudioSuite | 32-bit, 64-bit | |
| 20 | Tunefish4 | Windows Mac Linux | VST, AU | 64-bit |
1. Vital
OS: Windows Win Mac Mac Linux Linux Bit Version: 64-bit Developer: Vital Audio Size: 39 MB Rating: 94/100
Vital offers a spectral warping wavetable engine that reshapes sound in bold and creative ways. It changes waveform harmonics to produce new tones and textures, letting you turn samples or even text into wavetables using built-in conversion and editing tools.
This synth is fully visual, showing how filters, LFOs, and modulations shape your sound in real time. With drag-and-drop modulation, wide stereo effects, and audio-rate control, Vital helps sound designers and producers explore detailed, evolving tones across music styles.
Related: Free Vital Presets
Features
- Spectral Warping Wavetable Synthesis
- Sample To Wavetable Conversion
- Built-In Wavetable Editor
- Real-Time Visual Feedback
- Drag And Drop Modulation
- Custom LFO And Envelope Shapes
- MPE Compatible With Controllers
- Audio-Rate Modulation Options
- Supports Microtonal Tuning Files
- Includes Presets And Wavetables
Pros
- Turns samples into new wavetables
- Supports expressive MPE controls
- Rich modulation for detailed sounds
- Supports microtonal scales easily
- Custom LFO shapes for creativity
- Low CPU use with smooth play
- Works on Windows Mac and Linux
- Great visual feedback while playing
- Creates fresh and unique sounds
- Includes lots of free presets
Cons
- Some presets sound too similar
- Few built-in effects compared to others
- Can crash on older computers
- Uses more CPU than simple synths
- GUI can feel overcrowded
- Minimal preset organization tools
- No built-in sequencer or arpeggiator
- Limited free preset variety
- Requires 64-bit system only
- Sound design can take time
Video Demo
What Users Say
Vital Tips
- I like to start with a preset and then change small things to learn what each knob does.
- I layer two oscillators to make the sound bigger and more powerful.
- I try using LFOs to make sounds move or wobble over time.
- Experiment with different wavetables to find unique tones and textures.
- Use modulation routing to link one control to another for interesting sound motion.
- Use mild distortion on bass sounds to help them cut through a mix.
- Apply EQ and compression after Vital to make your sound fit better in a track.
2. Surge XT
OS: Windows Win Mac Mac Linux Linux Bit Version: 32-bit, 64-bit Developer: Claes Johanson Size: 172 MB Rating: 93/100
Surge XT offers a powerful hybrid synthesizer engine that combines different types of synthesis for creative sound design. It includes three oscillators per scene, many filter options, and a rich modulation system. With over 2,800 presets and 700 wavetables, it gives producers many sound possibilities.
Surge XT also supports special features like MPE, microtuning, and multiple scene modes for layered or split setups. Its open-source design allows regular updates and community input. With flexible routing and a wide range of effects, it’s useful for crafting both modern and classic synth sounds.
Features
- Over 2,800 Factory Presets
- 700 Plus Wavetables Included
- 12 Oscillator Algorithms Available
- Two Independent Synthesis Scenes
- 16 Effect Units With 27 Types
- Supports MPE And Microtuning
- Flexible Modulation Matrix System
- Multiple Filter Models And Routes
- Resizable And Customizable Interface
- Supports Windows, Mac, And Linux
Pros
- Free and open source software
- Huge library of 2,800 sounds
- Over 700 wavetables to explore
- Supports advanced MPE controllers
- Easy drag-and-drop modulation
- Two scenes for layered sounds
- Low CPU usage for big projects
- Powerful wavetable and FM synthesis
- Many built-in filters and effects
- Community driven and updated often
Cons
- Interface can feel overwhelming
- Steep learning curve for setup
- Can lag on older computers
- No built-in tutorial videos
- Preset browser feels cluttered
- Small text hard to read
- Can use more CPU
- Limited skin options
- Too many modulation options
- Plugin updates may break patches
Video Demo
What Users Say
Surge XT Tips
- I try layering two different oscillators to make my sound bigger and more exciting.
- I like to use the modulation matrix to make sounds move and change over time.
- I always test my patches in a full mix to make sure they fit well with drums and other instruments.
- Assign MIDI controls, like knobs or sliders, to important parameters for easier live tweaking.
- Experiment with Surge XT’s randomize feature for surprising patches and inspiration.
- Combine Surge XT layers with other synth plugins for thicker and more balanced sounds.
3. Graillon 2
OS: Windows Win Mac Mac Linux Linux Bit Version: 64-bit Developer: Auburn Sounds Size: 57 MB Rating: 90/100
Graillon 2 offers real-time vocal tuning and creative tone shaping for producers and singers. It combines pitch correction, formant shifting, and pitch-shifting to achieve both natural and robotic sounds. Its built-in compressor, gate, chorus, preamp, and bitcrusher give more polish and control.
It includes three pitch engines, letting users choose between classic and updated tones. Optional tools like Pitch-Tracking Modulation, keyboard tuning, and a doubler expand vocal styles. Graillon 2 works across major systems and plugin formats, making it reliable for studio or live use.
Features
- Real-Time Pitch Correction
- Natural Or Hard-Tune Modes
- Formant Shifting For Vocal Tone
- Built-In Compressor And Gate
- Chorus, Preamp, And Bitcrusher Effects
- Keyboard Tuning For Custom Scales
- Vocal Doubler For Added Presence
- Visual Waveform Pitch Display
- Low Latency For Live Use
- Low CPU Usage Operation
Pros
- Natural-sounding pitch correction results
- Low CPU use for smooth playback
- Three different pitch engines included
- Includes built-in compressor and gate
- Bitcrusher adds cool vocal texture
- Keyboard tuning for custom scales
- Vocal doubler adds fullness
- Formant control keeps tone realistic
- Visual pitch display helps learning
- Works on Windows, Mac, and Linux
Cons
- Full version costs extra money
- No built-in reverb or delay
- Can misread low male voices
- GUI sometimes freezes in DAWs
- Major updates break old projects
- Pitch correction can sound harsh
- Formant shift can sound robotic
- No scale detection like GSnap
- Less precise on quick vocals
- No MIDI learn for quick mapping
Video Demo
What Users Say
Graillon 2 Tips
- I like to start by setting the “Pitch Correction” knob slowly so my voice still sounds natural.
- I use the “Dry/Wet” control to blend my real voice with the tuned voice for a smoother sound.
- Finding the right key before tuning makes vocal correction sound more natural.
- Use faster correction speeds for a robotic or pop-style effect, and slower speeds for softer songs.
- Placing Graillon 2 first in the plugin chain helps it track pitch more accurately.
- I often record my vocals clean first, then add Graillon 2 later in the mix to find the best balance.
- Always check how Graillon 2 sounds in the mix with the full track, not just on solo vocals.
4. TyrellN6
OS: Windows Win Mac Mac Linux Linux Bit Version: 32-bit, 64-bit Developer: U-He Size: 47 MB Rating: 88/100
TyrellN6 offers a classic analog-style sound in a compact and free software synthesizer. It includes two main oscillators, filters related to u-he’s Diva, and a built-in chorus for added depth. The synth keeps everything on one screen, making sound design smooth and direct.
The 2025 beta update improves performance and adds features like CLAP and MTS-ESP microtuning support. It also introduces a modern preset browser, easier soundset installation, and updated scaling options. TyrellN6 continues to deliver warm tones and flexible controls for creating rich, expressive sounds.
Features
- Virtual Analog Synth With Classic Design
- Two Oscillators Plus Noise And Ring Mod
- Twin Filter Based On Early Diva
- Unison Mode Up To Eight Voices
- Compact Modulation Matrix Section
- Chorus Effect With Three Modes
- Over 580 Factory Presets Included
- Resizable And Skinnable Interface
- Supports CLAP, VST, AU, And AAX
- Supports Native Apple Silicon Chips
Pros
- Free with pro-level sound
- Warm classic analog tone
- Works on Mac, Windows, Linux
- Low CPU load performance
- Over 580 ready presets
- New CLAP and VST3 support
- Supports native Apple Silicon
- Rich unison up to 8 voices
- Powerful twin filter section
- Supports microtuning standards
Cons
- No built-in reverb effect
- No built-in delay effect
- Lacks modern wavetable synthesis
- Small GUI on 4K screens
- Preset browser feels outdated
- Does not support MPE yet
- Few filter types compared to others
- No built-in EQ or compressor
- Interface looks dated to some
- Not as flexible as Vital
Video Demo
What Users Say
TyrellN6 Tips
- I like to start with a preset that sounds close to what I want, then tweak the filters and envelopes to make it my own.
- I use both oscillators slightly detuned to make the sound fuller and wider.
- I like to use the modulation matrix to add motion, like routing LFO to the filter cutoff.
- Use subtle chorus and delay effects to make the synth sound more polished and lively.
- Use automation in your DAW to control TyrellN6 parameters for dynamic changes during a song.
- Study the filter section; learning how different filter modes sound helps shape your tone more precisely.
- Try randomizing parameters to discover unexpected and inspiring new sounds.
5. Sforzando
OS: Windows Win Mac Mac Linux Linux Bit Version: 32-bit, 64-bit Developer: PLOGUE Size: 19 MB Rating: 88/100
Sforzando is a free SFZ player made by Plogue that focuses on open, flexible sound design. It runs on Windows, macOS, and Linux as both a plugin and a standalone app. Using the SFZ format, it lets users play or edit sampled instruments without special software or licenses.
Sforzando offers a simple, single-slot interface where sound control happens through the SFZ file itself. It supports SFZ 1.0 and 2.x, converts SF2 and DLS files, and works smoothly in popular DAWs. Its clean design makes it reliable for both live use and studio work.
Features
- Supports SFZ 1.0 And 2.x Formats
- Lightweight And Fast Loading
- Compatible With VST, AU, AAX, CLAP
- Works On Windows, macOS, Linux
- Integrated Format Converter Tool
- Supports SF2, DLS, WAV Import
- Snapshot Preset Save And Recall
- Scala Microtuning Support Included
- Supports Keyswitching And Automation
- Low-Latency Performance Optimization
Pros
- Free and open format support
- Works on Windows, Mac, Linux
- Loads SFZ files very quickly
- Light on memory and CPU
- Supports VST, AU, AAX, CLAP
- Built on strong ARIA engine
- Converts SF2 and DLS files
- Allows tuning and microtuning
- Snapshot menu saves presets
- Completely free with no limits
Cons
- No built-in sound library
- No built-in effects or mixer
- Only one instrument slot
- No layered instrument support
- No built-in sample browser
- No drag and drop support
- Editing needs SFZ file knowledge
- Few creative sound design tools
- Relies on external editing programs
- Interface looks plain and basic
Video Demo
What Users Say
Sforzando Tips
- Load Sforzando as a VST or AU plugin in your DAW before adding any SoundFonts.
- Keep SoundFonts organized by folders or instrument type for faster access.
- Try different reverb and chorus settings in your DAW since Sforzando does not have built-in effects.
- Use lightweight SoundFonts if the project has many instruments to save CPU power.
- Save a default setup in Sforzando so new sessions load with your favorite settings.
- Back up your SoundFont library to an external drive to keep it safe from data loss.
6. Surrealistic MG-1 Plus
OS: Windows Win Mac Mac Bit Version: 64-bit Developer: Cherry Audio Size: 20 MB Rating: 87/100
Surrealistic MG-1 Plus offers a classic analog sound inspired by the famous 1980s Realistic MG-1 synthesizer. It combines two oscillators, a smooth ladder filter, and a distinct polyphonic section to create warm basses, sharp leads, and rich vintage tones—completely free to use.
It includes over 130 presets, tempo-syncable LFOs, MIDI control, and DAW automation for flexible sound shaping. With added features like ring modulation, glide, and expanded octave ranges, the MG-1 Plus delivers an authentic retro vibe with modern reliability and creative range.
Features
- Accurate Analog Synth Modeling
- Dual Oscillator Sound Engine
- Classic 24db Ladder Filter
- Tempo Syncable LFO Control
- Over 130 Ready Presets
- All Controls MIDI Assignable
- Full DAW Automation Support
- Unique Polyphonic Oscillator Section
- Free To Download And Use
- One-Click UI Magnification
Pros
- Completely free to download
- Authentic vintage analog sound
- Faithful recreation of original MG-1
- Low CPU usage performance
- Over 130 ready-made presets
- High-quality filter section
- Resizable and clear interface
- Full MIDI control support
- Automation for every knob
- Works on Windows and Mac
Cons
- No built-in reverb or delay
- Limited modulation options overall
- No modern wavetable support
- Only basic analog waveforms
- No built-in arpeggiator feature
- Lacks visual waveform display
- Interface may look old-fashioned
- Limited sound design flexibility
- Lacks advanced envelope controls
- Polyphony still somewhat restricted
Video Demo
What Users Say
Surrealistic MG-1 Plus Tips
- I like to start by exploring the presets to learn how different sounds are built in the MG-1 Plus.
- I make small changes to one knob at a time so I can hear what each control does.
- I use the mixer sliders to blend the square and saw waves until I find a tone I enjoy.
- I save my favorite patches often so I don’t lose my progress while experimenting.
- I add a little chorus or reverb to make my MG-1 Plus sounds bigger and more alive.
- Use automation in your DAW to move filter and volume controls over time.
- Always check your levels so the MG-1 Plus doesn’t clip or distort your mix.
7. mvMeter2
OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: TBProAudio Size: 6.8 MB Rating: 85/100
mvMeter2 offers precise audio level monitoring with RMS, EBU R128, VU, and PPM meter modes. It recreates the look and feel of analog meters while supporting stereo, mid, and side channels. Users can view single or dual displays and adjust reference levels for accurate readings.
This plugin helps producers and engineers manage loudness across tracks when mixing or mastering. With preset options, gain trimming, and live meter accuracy, mvMeter2 provides clear visual feedback for consistent volume control. It’s available for free on Windows and macOS in multiple plugin formats.
Features
- Measures RMS, VU, PPM, And EBU
- Supports Stereo And Mid Side Modes
- Adjustable Reference Level Control
- Accurate 64 Bit Internal Processing
- Large Real Time Meter Display
- Scalable Interface Up To 400 Percent
- Five Built In Meter Themes
- Low CPU Usage And Stable Performance
- Works With VST AU And AAX Formats
- Cross Platform Windows And Mac Support
Pros
- Free and full-featured metering tool
- Multiple meter modes in one
- Accurate real-time level tracking
- Lightweight and low CPU usage
- Resizable GUI for any screen
- Supports stereo and mid/side metering
- Adjustable reference level control
- Analog-style VU and PPM look
- Switchable peak and RMS views
- Dual or single meter options
Cons
- No true peak metering option
- Lacks loudness range display
- No built-in spectrum analyzer
- Limited channel routing options
- No waveform visualization feature
- Lacks auto gain correction
- Can feel basic for pros
- GUI scaling sometimes lags
- No color custom settings
- No dark mode option
Video Demo
What Users Say
mvMeter2 Tips
- I use the calibration setting to match my expected levels, usually setting 0 VU to -18 dBFS for mixing.
- Place the meter after compressors to see how much gain reduction affects the overall level.
- Use the RMS or VU mode when mixing to get a sense of musical loudness instead of just peaks.
- Monitor both RMS and peak readings together for a better picture of how dynamic your mix is.
- Make sure to calibrate mvMeter2 to match your studio’s reference level for accurate readings.
- Use the stereo mode to ensure balanced loudness between the left and right channels.
- Check the peak mode when mastering to ensure you stay below digital clipping levels.
8. Ample Guitar M Lite II
OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: Ample Sound Size: 269 MB Rating: 85/100
Ample Guitar M Lite II offers realistic acoustic guitar tones built from over 800 detailed samples. It lets you shape your sound with options like resonance control, multiple articulations, and capo settings. The plugin works on both Windows and Mac in VST and AU formats.
Its interface includes tabs for main controls, strumming, effects, and settings, making sound shaping simple and flexible. You can play fingerstyle or strummed parts, adjust stereo width, and fine-tune dynamics for a more natural performance using a MIDI keyboard or on-screen controls.
Features
- Realistic Acoustic Guitar Sounds
- Multiple Playing Articulations
- Controllable String Resonance
- Fingerstyle And Pick Modes
- Built-In Strumming Mode
- Capo Logic Options
- Double Guitar Sound Option
- Adjustable Microphone Controls
- Customizable Effects Settings
- Low CPU Usage
Pros
- Very realistic acoustic guitar sounds
- Strummer mode makes real chords
- Finger mode feels natural
- Many detailed guitar articulations
- Capo logic changes pitch easily
- Poly Legato makes smooth slides
- MIDI export helps songwriting
- Custom controls for unique tones
- Humanization adds real player feel
- Better realism than most free VSTs
Cons
- Large file size for download
- Long loading times on startup
- Limited presets in free version
- Few built-in effects options
- No built-in reverb control
- Interface looks dated and plain
- Requires good CPU for smooth play
- Hard to get natural dynamics
- Less realistic strumming feel
- Limited tone-shaping tools
Video Demo
What Users Say
Ample Guitar M Lite II Tips
- I use the strummer mode to make my guitar parts sound more natural and real.
- I like to turn on the “Humanize” feature so my guitar playing sounds less robotic.
- I blend Ample Guitar M Lite II with some reverb to make it sound like it’s in a real room.
- Layer two separate guitar takes slightly panned left and right for a wider stereo image.
- Experiment with using the plugin’s built-in effects like compression and EQ to shape tone.
- Try combining different playing modes, such as fingerpicking and strumming, for variety.
- Use automation to make volume and tone changes over time for a more dynamic performance.
9. Vocal Doubler
OS: Windows Win Mac Mac Bit Version: 64-bit Developer: iZotope Size: 50.7 MB Rating: 85/100
Vocal Doubler offers a quick and natural way to make your vocals sound wide and full. It uses smart doubling technology to add gentle variation and depth without changing your voice’s tone. The simple controls let you adjust separation, variation, and intensity in seconds.
It works smoothly with most major DAWs and can enhance not only vocals but also instruments and effects. Whether you want subtle warmth or a rich stereo layer, Vocal Doubler helps build a professional, balanced mix with minimal effort.
Features
- Natural Vocal Doubling Effect
- Richness And Depth Enhancement
- Simple Interactive Interface
- Stereo Width Control
- Human Variation Adjustment
- Adjustable Effect Strength
- Low CPU Usage
- Works In Most DAWs
- Supports VST, AU, AAX Formats
- 64-Bit Plugin Compatibility
Pros
- Natural sounding vocal doubling effect
- Low CPU use for smooth playback
- Adjustable width and depth controls
- Adds fullness without harshness
- Saves time from re-recording vocals
- Compatible with Windows and Mac
- Adds warmth and subtle stereo space
- Effect Only mode helps fine-tune
- Lightweight alternative to chorus
- Trusted brand with proven quality
Cons
- Limited to basic doubling effect
- No pitch correction feature
- No built-in reverb options
- Few controls for customization
- Lacks advanced modulation tools
- No multi-voice harmonizer mode
- No MIDI control support
- Lacks built-in EQ or filter
- No built-in presets library
- No formant or tonal controls
Video Demo
What Users Say
Vocal Doubler Tips
- I like to use small amounts of doubling to make my vocals sound thicker without losing clarity.
- I always adjust the “Separation” knob slowly to find the best width for the voice.
- I use the “Variation” control to make the doubled vocal sound more natural and less robotic.
- I often place the Vocal Doubler after EQ and compression for a clean, balanced sound.
- Too much doubling can make the vocal sound phasey or muddy, so balance is key.
- Applying a subtle amount of doubling can make a vocal sound more professional and polished.
- Using headphones helps hear the stereo widening effect more clearly when adjusting the plugin.
10. Ample Bass P Lite
OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: Ample Sound Size: 450 MB Rating: 84/100
Ample Bass P Lite offers a realistic Fender Precision Bass sound in a compact, free plugin. It uses detailed sampling and features like Poly Legato, Slide Smoother, and Auto Buzz to deliver natural playing nuances. The plugin captures finger noise and subtle details for authentic bass tones.
The built-in Tab Player supports popular tablature formats, allowing users to load, view, and export bass lines directly as audio. With controls for tone, dynamics, and style, Ample Bass P Lite provides flexible performance options suited for any DAW setup or standalone use.
Features
- Recorded From Fender Precision Bass
- Realistic Fingering And String Noise
- Auto Buzz System For Realism
- Polyphonic Legato And Slide Smoother
- Manual Vibrato Wheel For Expression
- Finger Or Pick Playing Modes
- Custom Parameters Control Via MIDI
- Capo Function For Easy Transpose
- Tab Player Supports Multiple File Formats
- Available In VST, AU, And AAX Formats
Pros
- Realistic Fender Precision Bass tone
- Rich and detailed finger noise
- Supports both pick and finger modes
- DFD technology for smooth playback
- Poly Legato makes smooth slides
- Auto Buzz adds real string feel
- Tab Player supports many formats
- Exports tabs as audio easily
- Capo feature for easy tuning
- Better realism than most free VSTs
Cons
- Limited articulations compared to paid version
- Small sample library reduces realism
- Lower bit depth affects clarity
- Few customization options available
- Heavier on CPU for some systems
- No built-in amp or effects
- Range limited to D1–F4 only
- No round-robin for all notes
- Less dynamic response than others
- Hard to blend in a mix
Video Demo
What Users Say
Ample Bass P Lite Tips
- I often use the built-in compressor to make sure my bass is even and clear in the mix.
- I sometimes double the bass track with a distorted version for extra punch in metal mixes.
- Use the “Humanize” feature to make the bass feel like it’s being played by a real person.
- Layer the Ample Bass P Lite with a sub-bass synth to fill out the low end for modern metal mixes.
- Match the bass tone with the kick drum so they work together instead of clashing.
- Try routing the output of the plugin through an external distortion or amp sim for a heavier tone.
11. TAL-NoiseMaker
OS: Windows Win Mac Mac Linux Linux Bit Version: 64-bit Developer: TAL Software Size: 15 MB Rating: 84/100
TAL-NoiseMaker offers a classic analog-style sound in a modern software synth. It includes two main oscillators, a sub-oscillator, and flexible filters for shaping tone. With adjustable envelopes, LFOs, and built-in effects, it can create anything from smooth pads to sharp leads.
The plugin comes with 256 presets that cover many electronic music styles, making it helpful for quick ideas or sound design. Its modulation options, filter drive, and random detune add movement and depth, giving music creators a wide range of creative tools in one free package.
Features
- Three Oscillators With Sync Options
- Sub Oscillator For Deep Bass
- Multiple Filter Types Available
- Envelope Editor For Sound Shaping
- Built-In Reverb And Delay
- Chorus And Bitcrusher Effects
- 256 Ready-To-Use Presets
- MIDI Learn For All Controls
- Up To Six-Voice Polyphony
- Intuitive And Simple Interface
Pros
- Warm and rich analog sound
- Works on Windows, Mac, Linux
- Very light on CPU
- 256 high quality presets
- Smooth and powerful filters
- Simple drag-and-draw envelopes
- Creative random detune option
- Plenty of modulation options
- Nice unison for fat sounds
- Free but sounds professional
Cons
- Interface looks dated on big screens
- No built-in arpeggiator feature
- Limited modulation routing options
- No wavetable oscillator support
- Only six-voice polyphony limit
- No resizable or scalable interface
- Effects section feels basic
- Preset browser feels a bit clunky
- CPU use rises with heavy effects
- MIDI mapping can feel slow
Video Demo
What Users Say
TAL-NoiseMaker Tips
- Experiment with detuning the oscillators slightly for a richer sound.
- Try automating filter movement inside your DAW to make dynamic sweeps.
- Layer two instances of TAL-NoiseMaker for thicker, more complex tones.
- Use modulation to make repetitive patterns sound more alive and less static.
- Combine the plugin with external effects like compression or EQ to shape the final sound even more.
12. Grand Piano XXL
OS: Windows Win Mac Mac Bit Version: 64-bit Developer: Audiolatry Size: 1.19 GB Rating: 84/100
Grand Piano XXL offers rich, realistic piano tones based on detailed sampling of a Yamaha-style grand piano. It delivers expressive dynamics and warmth ideal for Hip Hop, R&B, and Lo-Fi production. Each note captures natural resonance and clarity, giving songs a polished, professional sound.
The plugin includes features like reverb, delay, chorus, tremolo, and a three-band EQ for shaping tone. Simple controls for attack, release, and stereo width help fine-tune the character of the instrument. Compatible with both Windows and macOS, Grand Piano XXL is a powerful free tool for modern music creators.
Features
- Sampled Yamaha C5 Grand Piano
- 16 Velocity Layers Per Note
- 48kHz 24bit Audio Quality
- Reverb, Chorus, Delay Effects
- Three-Band EQ Control
- ADSR Envelope Control
- Stereo Width And Pan Options
- Low CPU Usage Performance
- Supports VST, VST3, And AU
- User-Friendly Interface Design
Pros
- High-quality Yamaha C5 samples
- Sixteen velocity layers per note
- Realistic key release sounds
- Rich and warm piano tone
- Includes built-in reverb effect
- Includes chorus and delay effects
- Customizable tremolo and filter settings
- Strong dynamics and expressive response
- Low CPU usage performance
- Free to download and use
Cons
- Limited classical piano realism
- Less expressive than premium pianos
- Small sample set compared to others
- Lacks pedal noise simulation
- No half-pedal functionality
- Limited dynamic response variety
- No advanced microphone options
- Few customization options for tone
- Effects feel basic and limited
- Missing adjustable sample resonance
Video Demo
What Users Say
Grand Piano XXL Tips
- I adjust the velocity curve in the plugin to make my playing more dynamic.
- I like to add a bit of reverb inside Grand Piano XXL so the sound feels bigger and more natural.
- Use the EQ controls to cut any muddy frequencies and keep the piano sound clean.
- Try using a sustain pedal with the plugin to make your performance more expressive.
- Keep CPU usage low by freezing or bouncing tracks once you’re happy with the sound.
- Experiment with different microphone positions in the plugin to change the piano’s tone.
13. Triple Cheese
OS: Windows Win Mac Mac Linux Linux Bit Version: 32-bit, 64-bit Developer: U-He Size: 28 MB Rating: 82/100
Triple Cheese offers a fresh take on synthesis by using comb filters instead of traditional oscillators or wavetables. Each of its three layers shapes sound in a different way, creating everything from warm pads to bright plucks with a slightly retro, digital flavor.
It includes built-in effects like chorus, delay, flanger, phaser, and reverb to add depth and motion. With adjustable envelopes, LFOs, and modulation options, music creators can craft expressive sounds that stand out. Triple Cheese is free for macOS, Windows, and Linux.
Features
- Uses Three Comb Filters
- Eight Modes Per Filter
- Supports Up To Sixteen Voices
- Two Host-Syncable LFOs
- Five Built-In Effects
- Delay, Chorus, Flanger, Phaser, Reverb
- MIDI Learn And Unlearn Support
- Scalable And Skinnable Interface
- Supports Oddsound MTS-ESP Tuning
- Freeware With Low CPU Usage
Pros
- Unique comb filter sound design
- Distinct retro digital tones
- Three layers for rich textures
- Lightweight and easy on CPU
- Scalable and skinnable interface
- Built-in effects like reverb
- Supports many MIDI controls
- Perfect for experimental sounds
- Works on Mac, Windows, and Linux
- Free to download and use
Cons
- Sounds can feel too cheesy
- No classic analog warmth
- Lacks deep modulation options
- No wavetable or FM synthesis
- Few built-in effect types
- No built-in arpeggiator
- Lacks powerful filter section
- Cannot import custom samples
- Less depth than Vital or Surge
- Not great for complex sound design
Video Demo
What Users Say
Triple Cheese Tips
- I often layer different Triple Cheese patches to make my sounds fuller and more interesting.
- I adjust the Comb Filter settings to change the tone and texture of my patch.
- I use automation on the filter cutoff to bring movement and life into my tracks.
- Experimenting with the three comb filters helps to create unusual tones not found in other synths.
- Adding an external chorus or delay effect can make Triple Cheese patches sound bigger.
- Assigning MIDI knobs to filter and tone controls makes live tweaking more fun and expressive.
14. The Free Orchestra
OS: Windows Win Mac Mac Bit Version: 64-bit Developer: ProjectSAM B.V Size: 920 MB Rating: 82/100
The Free Orchestra offers a range of cinematic sounds drawn from ProjectSAM’s well-known libraries. It includes strings, brass, choirs, and sound effects recorded in a concert hall, giving users an authentic orchestral feel. The library includes 16 free instruments and 10 multi setups.
This collection is suited for film scoring, trailer music, or adding dramatic layers to any track. Each preset is ready to use with expressive controls such as reverb, EQ, and dynamics. The Free Orchestra runs in Kontakt Player and works on both Windows and macOS systems.
Features
- Includes 16 Free Orchestral Instruments
- Works With Free Kontakt Player
- Recorded In A Concert Hall
- Offers Cinematic String And Brass Sounds
- Completely Free With No Hidden Costs
- Simple And Clear Control Interface
- Built-In Reverb And Limiter Tools
- Has Octaver And Master EQ Options
- Usable In Commercial Music Projects
- Ideal For Cinematic And Trailer Music
Pros
- Completely free with no limits
- High quality cinematic sound design
- Works with free Kontakt Player
- Recorded in real concert hall
- Includes 16 free instruments
- Has 10 creative multis
- Compact library with big sound
- Built-in reverb and EQ
- Quick setup through Native Access
- Great gateway to ProjectSAM sound
Cons
- Requires full Kontakt installation
- Limited control over articulations
- No deep sound customization tools
- Interface feels dated and small
- Few microphone positions available
- Lacks round-robin sample variation
- Smaller library than paid suites
- Some patches sound too similar
- Heavy CPU use on some systems
- No standalone version available
Video Demo
What Users Say
Audio Demo
The Free Orchestra Tips
- I use the mod wheel to control dynamics for a more emotional and real-sounding performance.
- I try layering The Free Orchestra cello with another string plugin to make the sound fuller and richer.
- I always adjust the reverb and volume to match my mix so the cello doesn’t sound too far away or too strong.
- Use automation on volume and expression to make cello parts feel more human and less robotic.
- Adjust velocity in your MIDI notes to control how soft or strong each bow stroke sounds.
- I often use EQ to remove extra low-end rumble and make space for other instruments in the mix.
- Try using an external convolution reverb to make the cello sound like it’s in a real concert hall.
15. Soft Piano
OS: Windows Win Mac Mac Bit Version: 64-bit Developer: Spitfire Audio Size: 417.8 MB Rating: 81/100
Soft Piano offers a warm, gentle piano tone recorded at Air Edel Studios in London. The felt layer between the hammers and strings creates a soft, intimate sound that works well for emotional tracks, film scoring, or quiet background parts in any project.
This plugin keeps things simple with clear controls for tone, dynamics, and expression. Its single sound layer delivers a natural, realistic feel that blends easily in mixes, making it a reliable choice for music creators who want an authentic and focused piano sound.
Features
- Single Intimate Felt Piano Sound
- Recorded At Air Edel Studios
- Dry And Soft Tonal Character
- VST And AU Plugin Formats
- 64-Bit Plugin Support
- Expression Slider For Volume Control
- Dynamics Slider Adjusts Note Strength
- Soft, Realistic Felt Hammer Texture
- Light CPU And Disk Usage
- Ideal For Lo-Fi And Ambient Music
Pros
- Warm and emotional piano tone
- Realistic felt piano texture
- Beautifully soft and intimate sound
- High-quality studio recordings
- Captures real acoustic piano detail
- Low CPU and memory usage
- Free and professional-sounding plugin
- Competes with paid piano plugins
- Ideal for lo-fi and ambient
- Perfect for cinematic soundtracks
Cons
- Only one piano sound available
- Very limited tone variety
- Lacks brightness and attack
- Can sound muffled or dark
- Few sound-shaping options
- Only one velocity layer
- No built-in reverb control
- No layering or split modes
- Volume level is quite low
- Expression range feels limited
Video Demo
What Users Say
Soft Piano Tips
- I like to start by lowering the dynamics so the Soft Piano sounds calm and gentle.
- I layer the Soft Piano with a pad sound to make my music feel richer.
- I use the built-in EQ to roll off a little low end so the mix doesn’t get muddy.
- Adjust the velocity curve so it matches your keyboard’s feel for smoother dynamics.
- Mix the Soft Piano with light strings to create emotional, cinematic sounds.
- Experiment with automation to make the reverb and dynamics change over time.
- Keep the sample library on a fast drive so the plugin loads quickly and runs smoothly.
16. Melda MAutoPitch
OS: Windows Win Mac Mac Bit Version: 64-bit Developer: MeldaProduction Size: 200 MB Rating: 81/100
Melda MAutoPitch offers automatic pitch correction for vocals and monophonic instruments, helping you keep notes in tune quickly and accurately. It includes controls for depth, speed, and scale so you can fine-tune how natural or robotic the tuning sounds.
The plugin also adds formant shifting and stereo width options for creative vocal shaping. These tools let you adjust voice character or widen the mix space. Available free in the MFreeFXBundle, MAutoPitch is a simple and effective solution for both clean tuning and stylistic effects.
Features
- Automatic Vocal And Instrument Tuning
- Pitch Correction For Monophonic Sounds
- Formant Shift For Voice Character
- Speed Control For Correction Rate
- Detune Option For Fine Pitch Adjustments
- Scale Selector For Musical Guidance
- Pitch Display With Visual Feedback
- Low Latency Performance
- Light CPU Usage
- Simple And Clear Interface
Pros
- Totally free with no limits
- Fast real-time pitch tuning
- Formant shift for tone control
- Key selection with piano view
- Low latency for live singing
- Clean and clear pitch correction
- Can make robotic T-Pain effect
- Visual pitch display helps learning
- Competes with paid tuning tools
- Part of big free FX bundle
Cons
- Interface looks old and cluttered
- Not good for polyphonic sounds
- Metallic tone at high formant shift
- No graphical pitch correction view
- Can’t correct multiple voices together
- Needs MFreeFXBundle installation
- Speed control can sound robotic
- No automatic key detection
- Formant shift can sound unnatural
- Not as precise as Auto-Tune
Video Demo
What Users Say
Melda MAutoPitch Tips
- I like to start by setting the key of my song in MAutoPitch so the tuning matches the music.
- I always use a gentle correction speed to keep my voice sounding natural.
- I use the Dry/Wet knob to mix the original voice with the tuned one for a smoother sound.
- I adjust the Depth control to decide how strongly the pitch correction is applied.
- When possible, record vocals close to the right pitch so the plugin works less and sounds better.
- Always listen carefully, not just look at the screen, to make sure tuning feels musical and natural.
17. Upright No. 1
OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: Versilian Studios Size: 83 MB Rating: 80/100
Upright No. 1 offers the warm and familiar sound of a classic upright piano, recorded in stereo for a natural and close feel. It delivers a bright yet gentle tone with three velocity layers and two round robins, helping capture expressive and realistic performances.
Its simple controls let you shape space, tone, and dynamics using reverb, pan, volume, and envelope settings. The full decays of up to 30 seconds give notes room to breathe, making Upright No. 1 a solid choice for creating intimate or lively piano tracks.
Features
- Clean Sampling Of Upright Piano
- Bright And Clear Tone
- Broad Dynamic Range
- Three Velocity Layers
- Two Round Robins
- Full Decays Up To 30 Seconds
- Stereo Recording With Close Mics
- Built-In Reverb Control
- Adjustable Attack, Sustain, Decay, Release
- Lightweight And Fast Loading
Pros
- Very clear and natural tone
- Warm and homey upright sound
- Realistic key and pedal noises
- Three detailed velocity layers
- Two round robins for realism
- Long decays up to thirty seconds
- Light on CPU use
- Better realism than most free pianos
- Free for both Mac and Windows
- Available in VST and AU formats
Cons
- Only three velocity layers
- No customizable mic positions
- Limited sound shaping tools
- No true sympathetic resonance
- Less expressive than paid pianos
- Small sample set compared to others
- No half-pedal support
- High notes can sound thin
- Interface looks very basic
- Not as warm as some libraries
Video Demo
What Users Say
Upright No. 1 Tips
- When I record, I make sure to lower the reverb to keep the piano sound clean and clear.
- I try different mic positions in the plugin to find the sound that fits my mix best.
- I use light compression on the piano so the quiet notes don’t get lost in the mix.
- I adjust the velocity curve in my MIDI settings to make my playing feel more natural.
- Cut some low frequencies if the piano sounds too heavy in the mix.
- Test the piano sound in context with the full mix before doing final tweaks.
18. TruePianos
OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: 4Front Technologies Size: 114 MB Rating: 79/100
TruePianos offers a realistic piano experience designed to respond naturally to your playing. It features five sound modules with many presets that can be shaped to fit different styles. The plugin focuses on smooth real-time play, giving players an immediate and expressive feel.
TruePianos includes high-resolution display support, VST3 compatibility, and improved performance from a new audio engine. It works on both Windows and Mac in multiple formats and provides free updates for one year, making it a reliable choice for both studio and stage use.
Features
- Five Piano Sound Modules
- Low CPU Usage Efficiency
- Fast Load And Low Latency
- Real-Time Performance Optimization
- VST3 And AU Compatibility
- Simple And Clean Interface
- Instant Playability And Response
- Suitable For Live Performance
- Multi-Core Processing Support
- Distinctive Pop And Rock Character
Pros
- Very low CPU usage
- Loads almost instantly
- Has five piano modules
- Lightweight compared to sample pianos
- Simple and clean interface
- Improved audio engine speed
- Supports high-resolution screens
- Now has ARM64 support
- Works on Windows and Mac
- Sounds fit well in mixes
Cons
- Not the most realistic sound
- Lacks deep sample detail
- Limited customization for advanced users
- No built-in reverb controls
- Few microphone position options
- No round-robin sample variation
- Outdated visual interface design
- Small number of piano models
- No true pedal resonance modeling
- Beta version may have bugs
Video Demo
What Users Say
TruePianos Tips
- Try using different TruePianos modules to match the mood of the song.
- Adjusting the velocity sensitivity can make the piano feel more expressive.
- Adding a little reverb or delay can make the piano sound more realistic.
- Use EQ to carve out space in the mix for the piano to shine.
- Keep the sustain pedal use balanced to avoid muddy sounds.
- Lower the buffer size when recording for less playing delay.
- Use automation to change piano volume in different song sections.
19. Helm
OS: Windows Win Mac Mac Linux Linux Bit Version: 32-bit, 64-bit Developer: Matthew Tytel Size: 18 MB Rating: 79/100
Helm offers a free and open-source way to make electronic sounds on your computer. It works on Windows, Mac, and Linux, either on its own or as a plugin in most major formats. With two main oscillators, filters, and effects, Helm gives flexible control over your sound design.
Its clear layout includes a step sequencer, modulation options, and visual tools like an oscilloscope for quick feedback. Since it’s open-source, you can study, modify, and share it as you like. Helm is a reliable choice for exploring synthesis and building original electronic sounds.
Features
- Free And Open Source Software
- Runs On Windows Mac And Linux
- Two Main Oscillators With Controls
- Filter With Multiple Types
- Step Sequencer For Automated Patterns
- Formant Effect For Vocal Sounds
- Reverb For Spatial Depth
- MIDI Learn For Quick Control Mapping
- Visual Feedback With Oscilloscope
- Light On CPU Resources
Pros
- Free and open source software
- Powerful, flexible modulation system
- Comes with step sequencer
- Has stutter and formant effects
- Visual feedback with oscilloscope
- Low CPU use for smooth play
- Many filter and distortion types
- Full control over sound design
- Works on Windows, Mac, and Linux
- Community support and active updates
Cons
- GUI resizing can cause lag
- Sometimes unstable in certain DAWs
- CPU use can spike on modulation
- No built-in arpeggiator function
- No wavetable editing like Vital
- Limited number of factory presets
- Sound can feel less polished
- Lacks built-in effects variety
- No support for MPE devices
- Patch management can feel confusing
Video Demo
What Users Say
Helm Tips
- I turn one knob at a time so I can hear what each control does to my sound.
- Use Helm’s modulation matrix to connect different controls and create evolving sounds.
- I tweak the LFO section to add small movements, like a wobbly or pulsing sound.
- I use the filter cutoff knob to make my sound darker or brighter when mixing.
- Add a bit of reverb or delay in your DAW to make Helm’s sound bigger and more spacious.
- Use automation to make Helm’s parameters move over time in your DAW.
20. Tunefish4
OS: Windows Win Mac Mac Linux Linux Bit Version: 64-bit Developer: Brain Control Size: 3 MB Rating: 79/100
Tunefish4 is a compact virtual analog synthesizer made by Brain Control for Windows, Mac, and Linux. It combines additive wavetable synthesis with a range of filters and effects to create diverse sounds. The plugin supports polyphony, modulation options, and flexible noise control for sound design.
It includes adjustable effects like chorus, flanger, delay, reverb, EQ, distortion, and formant for shaping tones. With two LFOs, two ADSRs, and a modulation matrix, creators can craft leads, basses, or ambient textures. Tunefish4 delivers detailed control in a small, efficient package.
Features
- Free Virtual Analog Synth Plugin
- Uses Additive Wavetable Synthesis
- Features Modulation Matrix Control
- Has Two ADSRs And Two LFOs
- Includes Flanger, Chorus, Distortion
- Supports Delay, Reverb, EQ, Formant
- Provides Lowpass, Highpass, Bandpass Filters
- Includes Detune, Glide, And Unison
- Lightweight With Low CPU Usage
- Produces Warm And Clear Synth Sounds
Pros
- Free and open source synth
- Works on Windows, Mac, Linux
- Very low CPU usage
- Warm and rich analog tone
- Powerful modulation matrix
- Customizable filters and envelopes
- Unison for thicker sound layers
- Supports user shared soundbanks
- Rivals paid synths in sound
- High sound quality for free
Cons
- Limited preset library for beginners
- No built-in arpeggiator feature
- Interface looks dated and plain
- Lacks visual waveform display
- Less intuitive modulation routing
- Can sound thin without layering
- Effects sound basic and dated
- No modern wavetable editing
- Outdated GUI scaling on 4K
- Steeper learning curve for newbies
Video Demo
What Users Say
Tunefish4 Tips
- I like to start by checking out the preset patches in Tunefish4 to learn what kinds of sounds it can make.
- I mix different oscillators in Tunefish4 to find unique tones that fit my track.
- I often adjust the filter cutoff to shape my sound and make it brighter or darker.
- I use the built-in effects in Tunefish4, like reverb and chorus, to make my sounds richer.
- I use the envelope controls to make sounds fade in and out the way I want.
- I like to use automation to change parameters while the song plays for more movement.
- Layering multiple instances of Tunefish4 can create a thicker, more powerful sound.
Mac VST Plugins Compared
This table compares Mac VST plugins by features, controls, effects, formats, and more.
| Details | Vital | Surge XT | Graillon 2 | TyrellN6 | Sforzando | Surrealistic MG-1 Plus | mvMeter2 | Ample Guitar M Lite II | Vocal Doubler | Ample Bass P Lite | TAL-NoiseMaker | Grand Piano XXL | Triple Cheese | The Free Orchestra | Soft Piano |
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| Rating | |||||||||||||||
| OS | Windows, Mac, Linux | Windows, Mac, Linux | Windows, Mac, Linux | Windows, Mac, Linux | Windows, Mac, Linux | Windows, Mac | Windows, Mac | Windows, Mac | Windows, Mac | Windows, Mac | Windows, Mac, Linux | Windows, Mac | Windows, Mac, Linux | Windows, Mac | Windows, Mac |
| Formats | VST | VST, AU, CLAP | VST, AU, AAX, LV2 | VST, VST3, AU, AAX, CLAP | VST3, AU, AAX, CLAP | VST, VST3, AU, AAX | VST, VST3, AU, AAX | VST, AU | VST, VST3, AU, AAX | VST, VST2, AU, AAX | VST, AU | VST3, AU | VST, VST3, AU, AAX | Kontakt | VST, AU |
| Bit Version | 64-bit | 32-bit, 64-bit | 64-bit | 32-bit, 64-bit | 32-bit, 64-bit | 64-bit | 32-bit, 64-bit | 32-bit, 64-bit | 64-bit | 32-bit, 64-bit | 64-bit | 64-bit | 32-bit, 64-bit | 64-bit | 64-bit |
| Developer | Vital Audio | Claes Johanson | Auburn Sounds | U-He | PLOGUE | Cherry Audio | TBProAudio | Ample Sound | iZotope | Ample Sound | TAL Software | Audiolatry | U-He | ProjectSAM B.V | Spitfire Audio |
| License | Freeware | GPL | Freeware | Freeware | Freeware | Freeware | Freeware | Freeware | Freeware | Freeware | Freeware | Freeware | Freeware | Freeware | Freeware |
| Sample-Based | No | No | No | No | No | No | No | Yes | No | Yes | No | Yes | No | Yes | Yes |
| Download Size | 39 MB | 172 MB | 57 MB | 47 MB | 19 MB | 20 MB | 6.8 MB | 269 MB | 50.7 MB | 450 MB | 15 MB | 1.19 GB | 28 MB | 920 MB | 417.8 MB |
| CPU Load | Medium | Low | Low | Low | Low | Low | Low | Low | Low | Low | Low | Low | Low | Low | Low |
| Polyphony | 32 | 64 | 1 | 8 | 256 | 32 | 2 | 8 | 1 | 8 | 6 | 128 | 16 | 64 | 128 |
| Features | Spectral warping, Sample-to-wavetable, Wavetable editor, Visual synthesis, Drag-and-drop modulation, Stereo modulation, Custom LFOs | Hybrid Synthesis, Dual Scenes, Flexible Modulation, Extensive Effects, Wavetable Oscillators, Patch Browser, MPE Support | Pitch Shifting, Formant Control, Pitch Correction, Built-in Effects, Pitch-Tracking Modulation, Keyboard Tuning, Vocal Doubler | Virtual analogue synthesis, Dual oscillators, Twin filter, Modulation matrix, Unison voices, Chorus effect, Modern preset browser | SFZ support, ARIA engine, Format converter, MIDI control, Snapshot presets, Microtuning support, Standalone mode | Analog modeling, Dual oscillators, Ladder filter, Ring modulation, Tempo-synced LFO, MIDI automation, Preset management | Analog behavior, Multiple metering modes, Dual display, Adjustable reference level, Meter delay, Preset management, GUI scaling | Realistic Sound, Strummer Mode, Poly Legato, Capo Logic, Double Guitar, Custom Controls, MIDI Export | Natural Doubling, Stereo Widening, Interactive UI, Human Variation, Effect Control, Ease of Use, Free Plugin | Realistic articulations, Auto Buzz, Poly Legato, Slide Smoother, Capo function, Tab Player, MIDI control | Three Oscillators, Multiple Filters, Two LFOs, Envelope Editor, Built-In Effects, 256 Presets, MIDI Learn | Realistic Sampling, 16 Velocity Layers, Built-in Effects, ADSR Envelope, Key Release Control, Intuitive Interface, Royalty-Free Sounds | Comb filters, Multiple filter modes, Polyphonic modes, ADSR envelopes, Host-syncable LFOs, Built-in effects, Modulation control | Free library, Cinematic instruments, Orchestral sounds, Concert hall recording, Kontakt Player compatible, Creative multis, User-friendly interface | Felted tone, Intimate sound, Expression control, Dynamics control, Texture blending, On-screen keyboard, Tune and pan |
| Controls | Oscillators, Sampler, Filters, Envelopes, LFOs, Random Modulators, Macros | Oscillator, Filter, LFO, Waveshaper, Patch Browser, Modulation Matrix, Scene Controls | Pitch-Tracking Mod, Wave Control, Octave Control, Dry/Wet Mix, Pitch Shift, Formant Control, Output Meter | Oscillators, Mixer, Filter, LFOs, Envelopes, Matrix, Chorus | Instrument Selector, Volume Knob, Pan Knob, Effect Send, Transpose/Tune Controls, Snapshot Menu, On-Screen Keyboard | Tuning, Modulation, Tone Source One, Tone Source Two, Contour, Filter, Poly | Reference Level, Delay, VU Standard Menu, Skin Selector, Linked/Unlinked Button, Central Knob, VU Meters | Main Tab, Strummer Tab, FX Tab, Settings Tab, Finger Mode, Capo Control, On-Screen Keyboard | Separation, Variation, Amount, Effect Only, Vocal Tips, Bypass, Interactive Display | Main Menu Bar, Finger Mode, Bass Display, Keyboard, Velocity Knob, Tone Knob, Volume Knob | LFO 1, OSC 1, OSC 2, Filter, AMP, Envelope, Master Section | Attack, Release, Reverb, Pan, Stereo Width, EQ, Volume | CSO1, CSO2, CSO3, Global, VCA, Effect, LFO | Attack, Release, Lowpass Filter, Boom, Reverb, Limiter, Master EQ | Instrument Menu, Expression Slider, Dynamics Slider, Big Circular Dial, On-Screen Keyboard, MIDI Channel Menu, Volume Control |
| Effects Included | Wide stereo effects | Reverb, Delay, Distortion | Compressor, Gate, Chorus, Preamp, Bitcrusher, Doubler, Pitch-Tracking Modulation | Chorus, Overdrive, Filter Feedback | Reverb, Chorus, Drive | Chorus | Unknown | Depth, Speed, Tone | Doubling, stereo widening, subtle delay, detuning, fattening | Unknown | Chorus, Crush, Reverb, Delay, Bitcrusher, Filter Drive, Ring Modulator | Reverb, Pan, Stereo Width, Three-Band EQ | Chorus, Flanger, Phaser, Delay, Reverb | Lowpass Filter, Boom, Reverb, Limiter, Master EQ, Octaver | Tune, Pan, Volume |
| MIDI Learn | Yes | Yes | No | Yes | No | Yes | No | Yes | No | Yes | Yes | Unknown | Yes | Yes | Unknown |
| Presets | 75 | 2777 | 23 | 580 | N/A | 101 | N/A | N/A | N/A | N/A | 256 | 8 | 221 | 1 | N/A |
| Standalone | Yes | Yes | No | No | Yes | Yes | No | Yes | No | Yes | Yes | No | No | No | No |
| Last Updated | 04/10/2024 | 07/04/2024 | 01/16/2023 | 09/01/2020 | 07/03/2016 | 05/07/2024 | 08/26/2023 | 05/24/2022 | 09/26/2018 | 04/25/2024 | 01/23/2024 | 07/19/2023 | 07/14/2023 | 05/09/2023 | N/A |
Favorite Mac VST Plugins
Some of our favorite free VST plugins for Mac are Vital by Vital Audio, Surge XT by Claes Johanson, and TyrellN6 by U-He.
| Details | Vital | Surge XT | TyrellN6 |
|---|---|---|---|
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| Rating | |||
| OS | Windows, Mac, Linux | Windows, Mac, Linux | Windows, Mac, Linux |
| Formats | VST | VST, AU, CLAP | VST, VST3, AU, AAX, CLAP |
| Bit Version | 64-bit | 32-bit, 64-bit | 32-bit, 64-bit |
| Developer | Vital Audio | Claes Johanson | U-He |
| License | Freeware | GPL | Freeware |
| Sample-Based | No | No | No |
| Download Size | 39 MB | 172 MB | 47 MB |
| CPU Load | Medium | Low | Low |
| Polyphony | 32 | 64 | 8 |
| Features | Spectral warping, Sample-to-wavetable, Wavetable editor, Visual synthesis, Drag-and-drop modulation, Stereo modulation, Custom LFOs | Hybrid Synthesis, Dual Scenes, Flexible Modulation, Extensive Effects, Wavetable Oscillators, Patch Browser, MPE Support | Virtual analogue synthesis, Dual oscillators, Twin filter, Modulation matrix, Unison voices, Chorus effect, Modern preset browser |
| Controls | Oscillators, Sampler, Filters, Envelopes, LFOs, Random Modulators, Macros | Oscillator, Filter, LFO, Waveshaper, Patch Browser, Modulation Matrix, Scene Controls | Oscillators, Mixer, Filter, LFOs, Envelopes, Matrix, Chorus |
| Effects Included | Wide stereo effects | Reverb, Delay, Distortion | Chorus, Overdrive, Filter Feedback |
| Download | Download Vital | Download Surge XT | Download TyrellN6 |
I hope you find this list of free Mac VST plugins helpful.
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