18 Free Bitcrusher VST Plugins

Here are the best free bitcrusher VST plugins for Windows and Mac. We have included video demos, feature lists, pros, cons, and plugin ratings.

How we rate plugins: We rate each bitcrusher VST plugin based on sound quality, design, performance, features, usability, and compatibility. We rate plugins on a scale of 1 to 100.

Best Free Bitcrusher VST Plugins
Best Free Bitcrusher VST Plugins

I have spent over 15 years testing and comparing hundreds of free and paid VST plugins, supported by hands-on demos on our YouTube channel, which has 11,000+ subscribers.

Best Free Bitcrusher VST Plugins

This table compares bitcrusher VST plugins by operating system, bit version, format, and rating.

# Plugin OS Formats Bit Version Ratings
1 Krush Windows Mac VST, VST3, AU, AAX 64-bit 89 Good!
2 Crush Windows Mac VST, AU 64-bit 88 Good!
3 PCM2612 Retro Decimator Unit Windows Mac VST 64-bit 87 Good!
4 Timemachine Windows Mac VST, AU 32-bit, 64-bit 85 Good!
5 MBitFun Windows Mac VST, AU, AAX 32-bit, 64-bit 84 Good!
6 Crush Windows Mac VST, AU 32-bit, 64-bit 82 Good!
7 MBitFun Windows Mac VST, AU, AAX 32-bit, 64-bit 81 Good!
8 BPB Dirty Spring Windows Mac VST2, VST3, AU, AAX 32-bit, 64-bit 80 Good!
9 HomeCorrupter Windows VST2, VST3, AU 64-bit 79 Solid
10 Delta Modulator Windows Mac VST, AU 32-bit, 64-bit 77 Solid
11 Marauder Windows Mac VST, AU 64-bit 76 Solid
12 Elite Reducer Windows Mac VST, AU 32-bit, 64-bit 74 Solid
13 Dizztroy 2 Windows VST 32-bit 73 Solid
14 Gravel Windows VST 32-bit, 64-bit 73 Solid
15 MB cRushy Windows VST 32-bit 73 Solid
16 TAL-Bitcrusher Windows Mac VST 32-bit, 64-bit 71 Solid
17 cyberia Windows VST 64-bit 68 Decent
18 Compakt Windows VST 32-bit 51 Average
Quick comparison of bitcrusher VST plugins, including OS compatibility, ratings, and summary.

1. Krush

Krush VST Plugin by Tritik
Krush by Tritik

OS: Windows Win Mac Mac Bit Version: 64-bit Developer: Tritik Size: 13 MB Rating: 89/100

Krush offers a powerful bitcrushing and downsampling engine that gives your sounds everything from gentle grit to full digital destruction. Its drive control adds warmth and punch, while the analog-style filters help shape tones for drums, synths, or any track needing extra texture.

The built-in modulation section brings movement and rhythm by letting you animate almost any parameter. With tempo-sync options, preset browsing, and easy A/B comparison, Krush makes it simple to explore creative distortion while keeping your mixes balanced and exciting.

Features

  • Bit Depth And Sample Rate Reduction
  • Analog Modeled Low-Pass And High-Pass Filters
  • Modulation For Every Main Parameter
  • Tempo-Synced Or Free Modulation Speed
  • Resizable Interface With Clean Design
  • File-Based Preset System Included
  • Preset Freezer For Safe Recall
  • Dry And Wet Level Controls
  • Low CPU Usage For Multiple Instances

Krush Rating

89% Rating
  • Sound Quality: 44/50
  • Interface: 9/10
  • Features: 9/10
  • Ease of Use: 9/10
  • Compatibility: 9/10
  • Performance: 9/10

Pros

  • Warm drive adds rich tone
  • Analog modeled filters sound natural
  • Downsampling creates fun textures
  • Strong modulation section options
  • Tempo synced modulation available
  • Bit depth control feels smooth
  • Can go from soft to wild
  • Very versatile for sound design
  • Low CPU use for sessions
  • Often ranked best free bitcrusher

Cons

  • Lacks natural acoustic realism
  • No built-in reverb effects
  • Can sound too harsh easily
  • Limited dynamic expression range
  • No round-robin sample variation
  • Only focuses on lo-fi distortion
  • No real instrument articulations
  • Sound design over musical warmth
  • Can overpower soft mix elements
  • Not suited for ambient music

Video Demo

What Users Say

  • This thing absolutely destroys drums in a really musical way, instant go-to for lo-fi vibes – mike
  • The modulation in Krush is what sets it apart from other free bitcrushers, it’s crazy flexible for sound design – Alex
  • Krush has become one of those must-have plugins in my default template, it sounds great on almost anything – Mathieu
  • I have paid plugins that don’t sound as good as Krush, it’s a no-brainer download for anyone into electronic music – EchoSoundWorks
  • I find Krush perfect for adding grit to soft synths, it can be subtle or absolutely brutal depending on how you set it – audiojunkie
  • Krush has a very low CPU footprint which makes it easy to put on many tracks without worrying about performance – blortblort

Audio Demo

MP3 Audio Preview of the Krush by Tritik

Krush Tips

  • I use Krush on drums to add a dirty, lo-fi tone that stands out in the mix.
  • Automating the bit depth and sample rate can make cool glitchy effects over time.
  • Layering Krush with reverb or delay can balance its rough texture with smooth space.
  • Syncing modulation speed to the project tempo helps keep effects musical and tight.
  • Filtering before crushing keeps unwanted noise under control and focuses the sound.
  • Using the modulation features can bring movement to static pads or vocals.

2. Crush

Crush VST Plugin by Audec
Crush by Audec

OS: Windows Win Mac Mac Bit Version: 64-bit Developer: Audec Size: 1 MB Rating: 88/100

Crush offers a flexible bit crusher effect that breaks down audio quality by lowering bit depth and sample rate. It gives you control over how rough or digital your sound becomes, blending clean and crushed signals with ease through its simple Quantize, Downsample, and Dry/Wet knobs.

You can shape your tone further by adjusting the output volume and using fine-tune or reset shortcuts for precise control. Suitable for adding grit, warmth, or experimental textures, Crush helps music creators bring a lo-fi or edgy character to drums, synths, and full mixes.

Features

  • Continuously Reduces Bit Depth
  • Adjustable Sample Rate Control
  • Dry/Wet Mix Balance Knob
  • Output Volume Adjustment
  • Offers Up To 32x Oversampling
  • Has Pre And Post Filter Options
  • Includes Auto-Gain Feature
  • Provides 64-Bit Audio Processing
  • Supports Windows And Mac Systems
  • Designed With Simple Clean Interface

Crush Rating

88% Rating
  • Sound Quality: 44/50
  • Interface: 9/10
  • Features: 8/10
  • Ease of Use: 9/10
  • Compatibility: 10/10
  • Performance: 8/10

Pros

  • High-quality sound degradation control
  • Up to 32x oversampling support
  • Pre and post filters included
  • Auto-gain keeps volume balanced
  • Dry/Wet knob for smooth blending
  • Fine-tune control with Shift + Drag
  • Apple Silicon native support
  • Lightweight and CPU-friendly plugin
  • Musical and not overly harsh sound
  • Tight transient response for clarity

Cons

  • Lacks advanced modulation options
  • No built-in LFO or envelope
  • Cannot sync with project tempo
  • No sidechain input support
  • Limited sound-shaping control
  • No filter section
  • No preset management
  • No visual feedback
  • Interface feels too plain
  • Needs better CPU efficiency

What Users Say

  • This bit crusher is one of the cleanest most precise and most mixable supervision tools I know and the auto gain staging is something I’ve always always wanted in something like this plugin – @ZeltecAudio
  • I don’t need another bitcrusher but after hearing this, I might actually get this thanks to its sound and how it manages signal gain – @albertriveramusic
  • Crush does what it says on the tin and then some with clever features like the pre and post filters and the dynamics section – @TomislavZlatic
  • Crush has become my go-to bitcrusher for drums because of its tight transient response and flexible dynamics section – @soundgrain
  • For a bitcrusher, Crush is surprisingly versatile because it also works well as a subtle saturation and tone-shaping tool – @midphase
  • Crush is a very musical bit crusher that can add grit without completely destroying the original character of the source – @glitchfield

Crush Tips

  • I like to start with the mix knob low, so I can blend in the crushed sound slowly.
  • I use the Crush plugin on drum loops to add grit and energy.
  • I keep the sample rate reduction subtle, so the sound stays musical.
  • Use automation to make the bitcrushing effect come in and out during the song.
  • Try putting the bitcrusher before reverb to make old-school, grainy echo sounds.
  • Use the filter inside Crush to shape the tone and keep the highs under control.
  • Remember to use your ears — stop adjusting when the sound feels balanced and exciting.

3. PCM2612 Retro Decimator Unit

PCM2612 Retro Decimator Unit VST Plugin by Inphonik
PCM2612 Retro Decimator Unit by Inphonik

OS: Windows Win Mac Mac Bit Version: 64-bit Developer: Inphonik Size: 30 MB Rating: 87/100

PCM2612 Retro Decimator Unit offers a classic 8-bit sound inspired by the Sega Genesis era. It works as a bitcrusher effect that adds gritty, digital distortion and retro warmth to any track. With simple controls, you can shape everything from mild crunch to gritty digital tones.

This free plugin includes switchable legacy and crystal-clear output modes, dry/wet balance, mono options, and flexible interface layouts. Compatible with Windows, macOS, and Linux, it’s ideal for adding nostalgic texture to drums, basslines, and synths in modern music production.

Features

  • Free Bitcrusher Effect Plugin
  • 32-Step Scalable 8-Bit Decimation
  • Dry And Wet Level Control
  • Switchable Output Filter Modes
  • Vintage And Modern Operation Modes
  • Adjustable Graphical Interface Scaling
  • Compatible With Apple Silicon Chips
  • Low Cpu Usage Performance
  • Warm And Crunchy Retro Sound
  • Useful For Chiptune And Lo-Fi

PCM2612 Retro Decimator Unit Rating

87% Rating
  • Sound Quality: 41/50
  • Interface: 9/10
  • Features: 8/10
  • Ease of Use: 9/10
  • Compatibility: 10/10
  • Performance: 10/10

Pros

  • Authentic Sega Genesis sound
  • Brings nostalgic 8-bit character
  • Crystal Clear or Legacy filters
  • Dry and wet blend control
  • Low CPU use during playback
  • Runs on Windows, Mac, and Linux
  • Works on Apple Silicon chips
  • Strong and useful preset library
  • Scalable display for easy viewing
  • Better sound quality than many free crushers

Cons

  • No built-in modulation section
  • Lacks preset management system
  • No advanced bit depth control
  • Limited sound-shaping options
  • Can sound harsh on vocals
  • Limited automation possibilities
  • Cannot sync crush rate to tempo
  • Lacks built-in limiter protection
  • Less flexible than Krush or Tritik
  • Not ideal for subtle mastering use

What Users Say

  • This is a fantastic plugin, really useful, and I appreciate the attention to detail like the excellent preset names – DrawingDays
  • It really does have that crunchy Sega Genesis grit and I’m using it on drums, bass and even whole mixes – Ljones
  • PCM2612 does a superb job at recreating the sound character of the Sega Genesis/MD and goes beyond simple bitcrushing – TonE
  • I was impressed by how light it is on CPU while still sounding very authentic and aggressive when pushed – 7thDanSound
  • The sound of this thing is phenomenal and instantly takes me back to my Mega Drive days – Aintright
  • If you want crunchy 16-bit and 8-bit degradation with character, PCM2612 delivers exactly that – Manuel Knapp

PCM2612 Retro Decimator Unit Tips

  • I mix the wet and dry signals so my sound keeps some clarity while having that crunchy tone.
  • I use automation to make the bit crushing effect move over time, adding interest to my track.
  • Experimenting with different sample rates helps create a wide range of digital textures.
  • Balancing crushed sounds with clean layers keeps the mix clear and full.
  • Applying subtle bitcrushing to pads or synths adds texture without overpowering the mix.
  • Matching the downsample rate with the song’s tempo can create rhythmic artifacts that groove with the beat.

4. Timemachine

Timemachine VST Plugin by ToneBoosters
Timemachine by ToneBoosters

OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: ToneBoosters Size: 1.6 MB Rating: 85/100

Timemachine offers the sound and character of old samplers and tape decks in one simple plugin. It lets you adjust bit depth, sampling rate, and aliasing to create classic low-fi tones or gritty digital textures. You can even freeze or reverse sounds for creative audio effects.

This plugin is useful for adding warmth, noise, or vintage wear to drums, keys, and full mixes. With detailed control over distortion, hiss, and pitch wobble, Timemachine helps producers shape anything from subtle tape flavor to fully broken, nostalgic soundscapes.

Features

  • Simulates Vintage Sampler Sound
  • Adjustable Bit Depth Control
  • Variable Sample Rate Setting
  • Separate AD And DA Aliasing
  • Freeze Or Reverse Audio Playback
  • muLaw Compression Mode
  • Wow And Flutter Controls
  • Noise And Hiss Adjustment
  • Low CPU Usage
  • Available In VST And AU

Timemachine Rating

85% Rating
  • Sound Quality: 43/50
  • Interface: 7/10
  • Features: 9/10
  • Ease of Use: 9/10
  • Compatibility: 8/10
  • Performance: 9/10

Pros

  • Authentic vintage sampler sound
  • Separate AD and DA aliasing
  • muLaw shaping improves loudness
  • Accurate wow and flutter control
  • Customizable bit depth settings
  • Adjustable re-sample rate control
  • Smooth dithering for gentle warmth
  • Freeze and reverse audio easily
  • Turns clean drums into vintage kits
  • More flexible than most free bitcrushers

Cons

  • No built-in preset manager
  • No dry/wet mix knob
  • Limited modulation options
  • No built-in limiter safety
  • Lacks modern GUI scaling
  • Sparse documentation and tutorials
  • Interface looks dated
  • No real-time frequency display
  • Not updated often
  • Few factory presets included

Video Demo

What Users Say

  • Found this plugin yesterday and had so much fun exploring the possibilities of its different algorithms and options over the last day, so much that I felt I had to sign up specially to comment here on how utterly amazing and powerful this plugin really is – supernova777.
  • This is a wonderful plugin, I particularly like the way the noise and warble can be dialled in for proper degradation style effects – KVR user.
  • Very impressed with this, it is amazing at getting that Boards of Canada tone – Sarcastro.
  • I really like using Timemachine on drum loops because the transient shaping and compression effect is very tape-like without making things muddy – dblock.
  • Timemachine isn’t just a tape emulator, it’s more like a full-on degradation lab with bit depth, sample rate, noise, wow, flutter and compression all in one place – chk071.
  • The ability to automate the age and wow parameters makes it great for transitions and breakdowns where you want the whole mix to feel like it’s melting – Gearspace user.
  • Timemachine is my go-to when I want to downgrade drums to sound like they were sampled from a worn-out vinyl or cassette, it just does that vibe effortlessly – Reddit user u/lofighost.

Timemachine Tips

  • I like to start with small changes to the bit depth to hear how it shapes the sound before going heavy.
  • I use the mix knob to blend the crushed sound with the clean signal so it doesn’t get too harsh.
  • I use automation to change the bit depth during a song for a cool lo-fi transition.
  • I use a high-pass filter before the bitcrusher to keep low-end rumble from getting messy.
  • Bitcrushers work great when used in short bursts, adding character without overwhelming the mix.
  • Putting the bitcrusher after reverb can create unique, dreamy effects.
  • Experimenting with stereo width after crushing bits can make the sound open up again.

5. MBitFun

MBitFun VST Plugin by MeldaProduction
MBitFun by MeldaProduction

OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: MeldaProduction Size: 121 MB Rating: 84/100

MBitFun is a bit?crushing and distortion plugin by MeldaProduction made for shaping sound in bold and creative ways. It turns audio into fixed?bit formats, from 1 to 16 bits, letting you control every bit for effects that range from gentle grit to total digital chaos.

MBitFun offers detailed control over distortion with tools like XOR, AND, OR, and Shift to alter sound at the binary level. With options for up?sampling, M/S processing, and modulation, it’s great for adding color, texture, and glitch?style effects to drums, vocals, or synths.

Features

  • Converts Audio From 1 To 16 Bits
  • Advanced Resizable GPU Accelerated Interface
  • Smart Randomization Feature
  • M/S And Up To 8 Channel Support
  • MIDI Learn And Controller Support
  • Adjustable Up-Sampling Up To 16x
  • Bitwise XOR, OR, AND, Replace Tools
  • Bit Shift And Rotate Effects
  • Creates Digital And Glitch Textures
  • Free Lifetime Updates

MBitFun Rating

84% Rating
  • Sound Quality: 42/50
  • Interface: 7/10
  • Features: 10/10
  • Ease of Use: 6/10
  • Compatibility: 10/10
  • Performance: 9/10

Pros

  • Offers huge range of bit control
  • Adjustable up-sampling for cleaner sound
  • Side-chain option for modern mixes
  • AGC keeps sound levels steady
  • Many unique bit operations available
  • Resizable interface fits any screen
  • MIDI learn for easy control
  • Fine control from 1 to 16 bits
  • More flexible than most free bitcrushers
  • Visual meters help see changes

Cons

  • Interface looks cluttered and busy
  • Steep learning curve for beginners
  • Few ready-to-use presets
  • Can sound harsh or noisy
  • High CPU use at 16x upsampling
  • Limited visual feedback for bits
  • Hard to recreate settings later
  • Can easily clip output levels
  • Not ideal for live shows
  • Lacks warmth compared to analog types

Video Demo

What Users Say

  • MBitFun is a serious bit mangling damage machine that allows for a lot of sonic possibilities if you’re willing to dig in deep with it – WaxTrax
  • MeldaProduction MBitFun might be the most insane plugin I own, it just annihilates drums in the best way possible – friendofdean
  • I keep coming back to MBitFun because it has a unique sound compared to other bitcrushers and can be extremely subtle or totally destructive – MacQ
  • MBitFun has become my go-to bitcrusher because it can do classic downsampling as well as really weird modular style distortion – 4damind
  • The modulation options in MBitFun are insane, you can automate almost everything and get evolving distortion over time – Echoes in the Attic
  • MBitFun has a steep learning curve but once you figure it out, it’s one of the most flexible bit manglers out there – fluffy_little_something
  • I use MBitFun mainly on drums and percussion to get gritty, crushed highs while keeping the punch intact – martinjuenke

MBitFun Tips

  • Start with gentle bit reduction before going extreme for better control of the tone.
  • Use MBitFun in parallel to add just a touch of grit while keeping the main sound clear.
  • Lowering the sample rate can give a digital, lo-fi texture great for retro music.
  • Automation can help bring the bitcrusher effect in and out during a song for dynamic interest.
  • Tame harsh frequencies after bitcrushing with a gentle EQ or low-pass filter.

6. Crush

Crush VST Plugin by Fabric 70
Crush by Fabric 70

OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: Fabric 70 Size: 5.4 MB Rating: 82/100

Crush offers a mix of distortion and bitcrushing tools that shape your sound with grit or smooth digital edge. It includes four distortion types, noise texture control, and adjustable bit depth for lo-fi or high-impact tones across drums, synths, and guitars.

You can control drive, resolution, and mix to blend clean and crushed signals. The noise reacts to your input level for dynamic texture, adding movement and energy. Crush runs on Windows and Mac in VST and AU formats, making it flexible for most setups.

Features

  • Four Distortion Types Available
  • Resolution Control Changes Bit Depth
  • Downsampling Creates Lo-Fi Effect
  • Mix Knob Blends Clean And Wet
  • Drive Control Adjusts Distortion Intensity
  • Built-In Limiter Prevents Clipping
  • High Oversampling For Cleaner Sound
  • Mid/Side Processing Options Included
  • Preset Section To Save And Load
  • Supports VST And AU Formats

Crush Rating

82% Rating
  • Sound Quality: 42/50
  • Interface: 8/10
  • Features: 9/10
  • Ease of Use: 7/10
  • Compatibility: 8/10
  • Performance: 8/10

Pros

  • Four unique distortion types
  • Adjustable noise texture control
  • Fine-tuned bit depth control
  • Powerful oversampling and anti-aliasing
  • Limiter keeps sound from clipping
  • Light CPU usage for high quality
  • Clean sound even at low bits
  • Can produce subtle or harsh tones
  • Includes mix and pan controls
  • Better flexibility than most free crushers

Cons

  • Can be confusing for beginners
  • Few presets compared to others
  • Limited modulation options available
  • Uses more CPU at high quality
  • Lacks built-in filter section
  • Does not support MIDI control
  • Can sound harsh at extremes
  • Interface can feel crowded
  • No real-time waveform display
  • Limited oversampling choices

Video Demo

What Users Say

  • This is a really nice distortion plugin actually and you can get some unusual if maybe somewhat digital sounding textures out of it once you play around with it a bit – apoclypse
  • I really like the GUI overall and the way they approached the high quality oversampling section, as well as all the attention to anti aliasing – Reuben Cornell
  • This thing is incredibly versatile, from gentle saturation to full-on bit mangling and everything in between – ZenWorld
  • I really like the fact that it stays pretty clean even with the oversampling off, which is impressive for this type of effect – White Noiz
  • I really appreciate the mid/side options because they make it easy to just destroy the sides while keeping the center intact – Anonymous YouTube user

Crush Tips

  • I use the mix knob to blend the crushed sound with the clean signal so it doesn’t get too harsh.
  • I use automation to make the bit depth change over time, adding movement to my track.
  • Experiment with different sample rate and bit depth combinations to find unique tones.
  • Use parallel processing to mix the crushed sound with the unprocessed one for clarity.
  • Use the Crush by Fabric 70 as a creative effect at the end of your chain to give a vintage or lo-fi finish.

7. MBitFun

MBitFun VST Plugin by MeldaProduction
MBitFun by MeldaProduction

OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: MeldaProduction Size: 121 MB Rating: 81/100

MBitFun offers a powerful way to reshape sound through digital bit manipulation. It changes audio from 1 to 16 bits per sample and lets you adjust or mix each bit for creative results. From gentle saturation to heavy distortion, it delivers many tones and textures.

This plugin includes tools like filters, delay, and side-chain control, giving flexibility to sculpt audio in detail. With advanced visualization, multi-channel processing, and preset sharing, MBitFun works as both a mixing aid and a bold sound design tool for any style.

Features

  • Converts Audio From 1 To 16 Bits
  • Advanced Stylable Resizable Interface
  • Smart Randomization Feature
  • MIDI Learn And Controller Support
  • Variable Bit Depth Control
  • Dry Wet Mix Balance
  • Adjustable Up Sampling 1x To 16x
  • XOR Bit Manipulation Section
  • Global Preset Management System
  • Free Lifetime Updates

MBitFun Rating

81% Rating
  • Sound Quality: 41/50
  • Interface: 7/10
  • Features: 10/10
  • Ease of Use: 5/10
  • Compatibility: 9/10
  • Performance: 9/10

Pros

  • Unique XOR and bit-shift effects
  • Adjustable up-sampling up to 16x
  • High-quality, less aliasing sound
  • Resizable and GPU-accelerated interface
  • Supports 8-channel surround processing
  • Smart randomization for quick creativity
  • Includes AGC and DC Blocker tools
  • Global preset sharing and management
  • Free lifetime updates included
  • Powerful bit manipulation options

Cons

  • Interface looks cluttered and busy
  • Too many controls for beginners
  • Hard to get simple results
  • Steep learning curve overall
  • May cause CPU spikes sometimes
  • Can sound harsh too easily
  • Limited real-time visual feedback
  • Can make mixes muddy fast
  • Few smooth or subtle settings
  • Lacks friendly preset starting points

Video Demo

What Users Say

  • MBitFun is a serious bit mangling damage machine that allows for a lot of sonic possibilities if you’re willing to dig in deep with it – WaxTrax
  • MeldaProduction MBitFun might be the most insane plugin I own, it just annihilates drums in the best way possible – friendofdean
  • I keep coming back to MBitFun because it has a unique sound compared to other bitcrushers and can be extremely subtle or totally destructive – MacQ
  • MBitFun has become my go-to bitcrusher because it can do classic downsampling as well as really weird modular style distortion – 4damind
  • The modulation options in MBitFun are insane, you can automate almost everything and get evolving distortion over time – Echoes in the Attic
  • MBitFun can be overwhelming but it rewards experimentation with really unique distortion and bit reduction tones – ObsoleteAcc99

MBitFun Tips

  • I use the wet/dry mix knob to blend the crushed tone with the clean signal so it doesn’t sound too harsh.
  • I experiment with the High-Pass and Low-Pass filters in MBitFun to control which parts of the signal get crushed.
  • I like to automate the bit depth in my song to make the sound evolve and feel more alive.
  • Using MBitFun after a reverb or delay can create strange, glitchy echoes that sound very creative.
  • Try putting the bitcrusher on a parallel bus so the clean and crushed signals can be balanced together.
  • Experimenting with sample rate reduction can give very different tones from just bit depth reduction.
  • Placing a filter after MBitFun can tame sharp highs created by extreme bit reduction.

8. BPB Dirty Spring

BPB Dirty Spring VST Plugin by Bedroom Producers Blog
BPB Dirty Spring by Bedroom Producers Blog

OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: Bedroom Producers Blog Size: 8 MB Rating: 80/100

BPB Dirty Spring offers a creative mix of spring reverb and bitcrushing for a gritty, vintage tone. It gives tracks a warm and lively space, great for guitars, drums, and synths. With simple controls for tone, decay, and mix, shaping your sound is quick and easy.

The Built-in bitcrusher adds dirty, lo-fi character when you want extra texture. You can keep the sound smooth or push it into crunchy, retro territory. Available for Windows and macOS, BPB Dirty Spring is a free plugin that brings both charm and edge to your music.

Features

  • Built-In Bitcrusher Effect
  • Simple And Easy Interface
  • Dirt Knob Adds Lo-Fi Texture
  • Multiple Bitcrushing Modes Included
  • Works With Drums, Guitars, Synths
  • Mix Knob For Wet Blend
  • No Registration Or Authorization Needed
  • Available In VST2, VST3, AU, AAX
  • Supports 32-Bit And 64-Bit
  • Free Spring Reverb Plugin

BPB Dirty Spring Rating

80% Rating
  • Sound Quality: 38/50
  • Interface: 7/10
  • Features: 8/10
  • Ease of Use: 9/10
  • Compatibility: 9/10
  • Performance: 9/10

Pros

  • Includes spring reverb and bitcrusher
  • Inspired by vintage spring hardware
  • Multiple bitcrushing modes included
  • Can blend clean and dirty tones
  • Adds cool lo-fi textures
  • Adjusts brightness with one knob
  • Kick button for quick preview
  • Free to download and use
  • Good CPU performance and stable
  • More flexible than most free reverb

Cons

  • No advanced bitcrushing controls
  • Limited modulation options
  • Interface feels very basic
  • No visual feedback or meter
  • Bitcrusher modes feel limited
  • No stereo width adjustment
  • Can’t adjust sample rate crush
  • Not optimized for low CPU
  • No resizable GUI support
  • No Built-in preset manager

Video Demo

What Users Say

  • This reverb sounds fantastic on guitars and synths, and it also adds some really nice character and depth to drums – ACC
  • This is a really, really, really, REALLY beautiful and useable reverb, and the combination of noise, wow, and flutter add so much character – Justin
  • The drive is really nice, and the addition of wow, flutter, and noise give the plugin real character and give it the ability to fit things into the mix frequency wise in a special way – TBProAudio
  • Very nice sounding and usable spring reverb plugin with added lo-fi flavor – BManic
  • Really like the overall sound and the Built-in dirt/noise/tape wobble stuff makes it more than just another spring – jcgrnr

BPB Dirty Spring Tips

  • Bitcrusher plugins work great to add crunch and digital noise to clean sounds.
  • Lowering the sample rate in a bitcrusher can make sounds feel more retro or game-like.
  • Automating the bit depth in a bitcrusher can create fun, glitchy transitions.
  • Soft distortion from bitcrushing can make pads or keys sit better in a mix.
  • Adding a bitcrusher on a bass line before reverb can make it sound bold and messy in a good way.
  • Combining a bitcrusher before Dirty Spring adds a rough, textured reverb sound.

9. HomeCorrupter

HomeCorrupter VST Plugin by igorski
HomeCorrupter by igorski

OS: Windows Win Bit Version: 64-bit Developer: igorski Size: 4 MB Rating: 79/100

HomeCorrupter offers a way to break down clean digital sounds into rough, nostalgic textures. It lets you lower sample rate, bit depth, and playback speed to mimic the unpredictable sound of early computers. This gives your music a gritty, vintage tone full of character.

You can shape every part of the effect using sliders or LFO modulation for moving, evolving sound changes. With up to 30 seconds of record time, it also allows tape-like slowdown and scratch effects. HomeCorrupter works well for dark, experimental, or lo-fi styles where imperfect sound becomes an artistic choice.

Features

  • Reduces Sample Rate And Bit Depth
  • Built-In LFO For Modulation
  • Adjustable LFO Speed And Depth
  • Wet And Dry Mix Control
  • Supports VST2, VST3, And AU Formats
  • 64-Bit Plugin Version
  • Simple Interface With Slider Controls
  • Produces Lo-Fi And Glitch Effects
  • Low CPU Usage Performance
  • Suitable For Experimental Sound Design

HomeCorrupter Rating

79% Rating
  • Sound Quality: 39/50
  • Interface: 7/10
  • Features: 8/10
  • Ease of Use: 8/10
  • Compatibility: 8/10
  • Performance: 9/10

Pros

  • Creates warm vintage textures
  • LFO automates all main controls
  • Fun real-time playback slowing
  • Produces crunchy lo-fi tones
  • Creative tape-style pitch effects
  • Produces organic glitch textures
  • Offers up to 30 seconds record
  • Supports VST2, VST3, and AU
  • Low CPU usage performance
  • Unique compared to basic bitcrushers

Cons

  • No built-in presets available
  • Lacks visual feedback meters
  • Interface looks dated or plain
  • No tempo-sync for LFO speeds
  • No built-in filter section
  • No stereo width control
  • Too basic for advanced users
  • No preset browser or manager
  • Can sound harsh or unstable
  • Lacks multi-band processing tools

Video Demo

What Users Say

  • HomeCorrupter is a really interesting sound mangler, reminds me of the glitch plugins from the early 2000s but with a more lo-fi aesthetic – Syncretia
  • I love how HomeCorrupter can make perfectly clean digital synths sound like they were sampled off a dying VHS tape – SatYatunes
  • HomeCorrupter is amazing on drum loops to add random stutters and dropouts without completely losing the groove – ghostdog
  • The randomization features make it very easy to stumble onto happy accidents that you would not normally program by hand – gentleclockdivider
  • If you are into Boards of Canada, hauntology, or degraded cassette aesthetics this plugin is an absolute must-have – whyterabbyt

HomeCorrupter Tips

  • I like to start with small amounts of bit reduction so I can hear how the sound changes little by little.
  • When I use HomeCorrupter, I try automating the “damage” knob to make the sound move and glitch over time.
  • HomeCorrupter works best when added to individual tracks like synths or drums rather than the whole mix.
  • Use the plugin’s filters to control which frequencies get crushed for a cleaner result.
  • Combining a bitcrusher with reverb can help balance harsh digital tones with space and warmth.
  • Turning down the wet/dry blend can help the effect feel more musical and less extreme.
  • Using automation to control the corruption level can create dramatic build-ups and song transitions.

10. Delta Modulator

Delta Modulator VST Plugin by Xfer Records
Delta Modulator by Xfer Records

OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: Xfer Records Size: 0.2 MB Rating: 77/100

Delta Modulator offers a classic bitcrushing sound based on the delta modulation method used in the Nintendo NES console. It breaks down audio into simple 1-bit signals for a gritty, vintage tone. With adjustable bit depth and sample rate, it adds lo-fi character and movement to any track.

The plugin includes easy controls for bit level, sample rate, and mix, making it flexible for shaping drum, bass, or synth sounds. Its unique modulation style gives a crunchy, mid-focused texture that works well for creative distortion, glitch effects, or nostalgic game-inspired sound design.

Features

  • Bitcrusher With Delta Modulation
  • Inspired By NES Audio Channel
  • Adjustable Bit Depth Control
  • Variable Sample Rate Knob
  • Interpolated Mode For Smooth Sound
  • Mix Control For Dry Or Wet
  • Low CPU Usage Performance
  • Creates Lo-Fi And Crunchy Tones
  • Works In VST And AU Formats
  • Simple And Easy-To-Use Interface

Delta Modulator Rating

77% Rating
  • Sound Quality: 38/50
  • Interface: 7/10
  • Features: 6/10
  • Ease of Use: 9/10
  • Compatibility: 8/10
  • Performance: 9/10

Pros

  • Free plugin with pro sound
  • Fun Nintendo-style bitcrush tones
  • Great for Game Boy sounds
  • Interesting aliasing movement effect
  • Strong grit but still musical
  • Easy mix knob for balance
  • Bit and rate knobs respond fast
  • Perfect for creative sound design
  • Stands out from other free crushers
  • Trusted name from Xfer Records

Cons

  • No advanced filter controls
  • Limited tone shaping options
  • No presets or factory sounds
  • Hard to get subtle effects
  • Can sound too harsh quickly
  • No oversampling or anti-aliasing
  • Few modulation possibilities
  • Lacks modern visual feedback
  • Not ideal for full vocals
  • Less precise than Decimort or Krush

Video Demo

What Users Say

  • I love this plugin, it’s one of my secret weapons for making drums punchier while still sounding lo-fi – user “svib” on r/edmproduction
  • Delta Modulator is my go-to for instant Game Boy style crunch on simple waveforms – user “dhex” on Lines forum
  • I find it much more interesting than a standard bitcrusher because of the way the modulation creates movement and aliasing – user “mztk” on KVR Audio forum
  • I mainly use it in parallel on drum buses to add some crispy transients and noise without losing the body – user “tarekith” on Ableton Community
  • You can get some wicked aliasing textures when you automate the rate parameter in time with the track – user “cryophonik” on KVR Audio forum
  • Being free and 64-bit, it’s an easy install just to have another flavour of digital destruction in the toolbox – user “chk071” on KVR Audio forum

Delta Modulator Tips

  • I often use the Dry/Wet knob to mix the crushed sound with the clean signal for more control.
  • I enjoy automating the Sample Rate for fun digital movement in my synth lines.
  • I sometimes put Delta Modulator on drums to make them sound old and punchy.
  • I like to follow Delta Modulator with an EQ to clean up any harsh highs it creates.
  • Be careful not to overuse bitcrushing—it can quickly make a mix harsh or muddy.
  • Experimenting with subtle settings can turn Delta Modulator into a creative tone tool, not just a noise maker.

11. Marauder

Marauder VST Plugin by ViatorDSP
Marauder by ViatorDSP

OS: Windows Win Mac Mac Bit Version: 64-bit Developer: ViatorDSP Size: 8 MB Rating: 76/100

Marauder offers a gritty bitcrusher effect that turns clean sounds into rough, digital textures. It can crush audio heavily or add a gentle touch of lo-fi character. With controls for bit depth, resampling, and drive, it’s built for shaping tone from smooth warmth to full distortion.

The plugin includes extras like a noise circuit, filter, and jitter control for adding movement and texture. A mix knob helps blend the effect with the original sound, while trim and phase options refine the output. Marauder works well on drums, synths, and bass for bold, creative sound design.

Features

  • Bitcrusher With Adjustable Bit Depth
  • Resample Control For Crunchy Tones
  • Noise Circuit Adds Pink Noise
  • Drive Knob Adds Extra Distortion
  • Filter Cleans High-Frequency Artifacts
  • Jitter Creates Digital Instability
  • Mix Knob Blends Wet And Dry
  • Low CPU Usage Performance
  • Works On Drums, Bass, Synths
  • Supports VST And AU Formats

Marauder Rating

76% Rating
  • Sound Quality: 38/50
  • Interface: 7/10
  • Features: 9/10
  • Ease of Use: 7/10
  • Compatibility: 7/10
  • Performance: 8/10

Pros

  • Strong crunchy and gritty tones
  • Easy to blend clean and crushed
  • Filter cleans unwanted harshness
  • Jitter creates fun digital wobble
  • Bit depth shaping feels musical
  • Resample creates lo-fi character
  • Dynamic noise adds vintage feel
  • Low CPU use for multitasking
  • Unique sound unlike other free bitcrushers
  • Free yet polished professional quality

Cons

  • Can crash in some DAWs
  • High CPU spikes in some setups
  • No preset library included
  • No visual feedback or meters
  • Limited tone shaping controls
  • No built-in limiter protection
  • Can distort output unexpectedly
  • Too few bit depth options
  • No built-in modulation options
  • Lacks multi-band bitcrushing

Video Demo

What Users Say

  • Marauder is a quite unusual but powerful signal destroyer which can affect levels, gate signals, saturate, bit crush, sample rate reduce, analog & digitally distort and tape-ify all in varying ways – Teksonik
  • This thing is a very useful swiss army knife of saturation and destruction – Pauliro
  • Marauder is an incredible plugin that sounds fantastic on drums, bass, and synths, especially when you push the drive and then tame it with the tone and mix controls – incogneato
  • This is one of those plugins where just putting it on a dull loop and turning knobs for a minute gives you instant inspiration – Recoil
  • CPU usage is very light on my system which makes it easy to throw several instances of Marauder on different tracks without worrying – SoundGrinder
  • For a free plugin this feels surprisingly polished and creative, it doesn’t just copy other distortions but has its own character – Naki

Marauder Tips

  • I like to start with a clean sound and slowly turn up the bit depth knob to find the sweet spot.
  • I use automation to change the bit depth during a song to keep the sound moving and interesting.
  • It helps to use a mix knob to blend the crushed tone with the dry signal for a balanced effect.
  • Combining bitcrushing with distortion can make a heavy and unique tone for guitars or bass.
  • Using modulation on bit depth or sample rate creates dynamic, evolving sound textures.
  • Subtle bitcrushing can add character without making the sound too harsh.

12. Elite Reducer

Elite Reducer VST Plugin by Virtual Creations
Elite Reducer by Virtual Creations

OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: Virtual Creations Size: 401 KB Rating: 74/100

Elite Reducer is a compact bitcrusher plugin by Virtual Creations that shapes sound through bit and sample rate reduction. It includes two filters with controls for cutoff and resonance, allowing users to fine-tune how much grit or clarity remains in the processed signal.

Elite Reducer offers flexible tone shaping for beats, synths, and textures, from subtle lo-fi warmth to sharp digital crunch. With its mix control and dithering options, creators can balance clean and crushed sounds to craft unique electronic or industrial?style tones.

Features

  • High-Quality Bitcrushing Algorithms
  • Optional Dithering For Smooth Output
  • Adjustable Bit And Sample Rate
  • Pre And Post Cutoff Filters
  • Dual Filter Cutoff Controls
  • Resonance Controls For Each Filter
  • Mix Knob For Dry Or Wet Blend
  • Compact And Easy-To-Use Interface
  • Supports VST And AU Formats
  • Available In 32-Bit And 64-Bit

Elite Reducer Rating

74% Rating
  • Sound Quality: 38/50
  • Interface: 6/10
  • Features: 7/10
  • Ease of Use: 8/10
  • Compatibility: 7/10
  • Performance: 8/10

Pros

  • High-quality bitcrushing algorithms
  • Includes dual filter design
  • Optional dithering for clean output
  • Mix knob allows sound blending
  • Compact and light on CPU
  • Handles subtle to extreme distortion
  • Musical even with heavy crush
  • Perfect for dirty 8-bit sound
  • Flexible and creative sound design
  • Free and easy to install

Cons

  • Interface looks old and tiny
  • No preset browser included
  • No built-in limiter or safety
  • Limited modulation options
  • Not resizable on big screens
  • No stereo width control
  • Sound can clip easily
  • No oversampling control
  • No sidechain or ducking feature
  • Few bitcrushing styles compared

What Users Say

  • Elite Reducer by Virtual Creations is truly a master of distortion, loudly and proudly – Computer Music Magazine
  • Elite Reducer sounds fantastic on drums, adding punch and grit without destroying the transients – Crandall1
  • Reducer from Virtual Creations is one of those great little free plugs that always finds its way into my projects – Burillo
  • I still use Elite Reducer all the time for crunchy lo-fi leads – devor
  • Elite Reducer has been my secret weapon on snares for years – MFXxx
  • Elite Reducer is one of those little gems from the early VST days that never left my plugin folder – VitaminD

Elite Reducer Tips

  • I like to start by setting the mix knob low, then raise it slowly until I hear the crunch I want.
  • I turn down the sample rate gently to keep the sound textured but not harsh.
  • I always match the output volume so I can compare the processed sound fairly.
  • I blend the dry and wet signals to keep some clarity in the sound.
  • Start with subtle bit reduction; too much can quickly distort the sound.
  • Put the bitcrusher before delays or reverbs for a clearer, crunchy echo.
  • Experiment on different instruments—guitar, drums, synths—to find where the plugin shines the most.

13. Dizztroy 2

Dizztroy 2 VST Plugin by Z3 Audiolabs
Dizztroy 2 by Z3 Audiolabs

OS: Windows Win Bit Version: 32-bit Developer: Z3 Audiolabs Size: 2.6 MB Rating: 73/100

Dizztroy 2 offers a mix of bitcrushing, overdrive, and distortion tools for shaping sound in creative ways. It can turn clean drums, synths, or guitars into gritty textures or subtle warmth. The plugin’s drag-and-drop routing and multiple filters make tone control simple and flexible.

Its custom waveshaper lets you draw your own distortion curve, smooth it, and save versions for later. With built-in modulation, MIDI control, and an envelope follower, Dizztroy 2 gives producers detailed control for both precise edits and bold experimental sound design.

Features

  • Bitcrush, Overdrive, And Distortion Effects
  • Custom Waveshape Drawing And Editing
  • Eight Distortion And Overdrive Modes
  • Drag-And-Drop Effect Routing
  • Five Filter Types With Controls
  • Envelope Follower With Adjustable Settings
  • Multisegment Envelope Generator For Modulation
  • MIDI Learn For All Parameters
  • Mix And Dry/Wet Control
  • Mid/Side Processing Option

Dizztroy 2 Rating

73% Rating
  • Sound Quality: 41/50
  • Interface: 8/10
  • Features: 10/10
  • Ease of Use: 6/10
  • Compatibility: 2/10
  • Performance: 6/10

Pros

  • Custom waveshaping for unique tones
  • Eight distinct drive algorithms
  • Dynamic envelope-based modulation
  • Flexible filters for tone control
  • Adjustable bitcrusher and sample reducer
  • MIDI learn for easy control
  • Saves custom waveshapes easily
  • Live performance ready controls
  • More flexible than most free crushers
  • Encourages creative sound experimentation

Cons

  • Only works on Windows computers
  • No Mac or Linux support
  • Interface looks old and crowded
  • Can use lots of CPU power
  • No built-in preset browser
  • Few included factory presets
  • Envelope setup can be confusing
  • No built-in limiter for safety
  • Distortion can sound harsh fast
  • Not available for 64-bit hosts

What Users Say

  • Love this plugin, the best distortion plugin I’ve bought in a while, great work – Snakes
  • A great variety of distortion/drive/saturation algorithms, clearly divided into 9 categories – mhog
  • Dizztroy 2 from Z3 is a nice multi-band distortion and saturation plugin for creative sound design and aggressive tones – Solister
  • Love this plugin so much, it has become my go-to for dirtying up basslines and drums – HansW
  • It can get really nasty but also does subtle warmth if you dial it in right – Optomadic
  • Too much distortion plug-ins on the market at the moment, and I have too much… but this one is not bad and, somehow, outstanding and unique… and that is dangerous for my money – fmr

Dizztroy 2 Tips

  • I like to start with the mix knob low to keep some of the clean signal clear while I find the right crush level.
  • I use the filter section to shape the sound, cutting highs or lows to fit better in the mix.
  • I like to experiment with different sample rates to find a crispy or broken kind of tone.
  • Automate parameters like bit depth and drive to give tracks dynamic character.
  • Blend a small amount of crushed signal with the clean one for balanced texture.
  • Always adjust the output level after crushing to avoid sudden volume jumps.

14. Gravel

Gravel VST Plugin by Taiga dsp
Gravel by Taiga dsp

OS: Windows Win Bit Version: 32-bit, 64-bit Developer: Taiga dsp Size: 1 MB Rating: 73/100

Gravel offers a mix of three powerful distortion styles combined with an envelope follower that reacts to the sound’s volume. This gives your audio movement and energy, perfect for shaping raw drums, punchy basslines, or gritty synth tones that stand out in the mix.

Using controls for bit depth, drive, and decimation, Gravel can move from smooth saturation to full distortion. The envelope follower adds dynamic modulation, so every hit or note can change the effect. It’s a flexible tool for creative distortion and shaping unique character in your tracks.

Features

  • Three Types Of Distortion
  • Bit Depth Reduction To 1–24 Bit
  • Sample Rate Reduction Feature
  • Envelope Follower Modulation Source
  • Amplitude-Driven Dynamic Response
  • Hard Clipping Drive Control
  • Wet And Dry Mix Control
  • Attack And Release Adjustment
  • Simple And Clear Interface
  • Works Well On Drums And Bass

Gravel Rating

73% Rating
  • Sound Quality: 38/50
  • Interface: 7/10
  • Features: 7/10
  • Ease of Use: 8/10
  • Compatibility: 5/10
  • Performance: 8/10

Pros

  • Dynamic sound with envelope control
  • Modulation adds movement and life
  • Powerful drive for strong crunch
  • Useful wet dry mix control
  • Can go from soft to extreme
  • Perfect for lo fi sound design
  • Adds character without harsh edges
  • Envelope follower gives dynamic energy
  • Lightweight plugin easy on CPU
  • More expressive than other free crushers

Cons

  • No macOS support available
  • Interface not resizable
  • Limited modulation options
  • No stereo processing support
  • No visual waveform display
  • No sync to host tempo
  • CPU usage can spike easily
  • Hard clipping may sound harsh
  • No built-in filter section
  • Limited visual feedback tools

Video Demo

What Users Say

  • Gravel is one of my secret weapons for bass – @deesound
  • This plugin works really well on the drum bus and is very useful for adding presence to kick and snare – @mammut_audio
  • I’ve been using Gravel on my vocals and it’s become a go-to saturation plugin for me – @soundbycrimson
  • I like how Gravel goes from subtle saturation to absolutely crushing distortion – @mattiamarzi_sound
  • What I love about Gravel is that even at high gain it keeps the low end tight and controlled – @jonashermusic
  • The multiband mode in Gravel is super handy for targeting specific frequency ranges – @sndwrk
  • Gravel has replaced a couple of my old distortion plugins because it just sounds better on most sources – @christoffer_lundquist

Gravel Tips

  • I often mix the dry and wet signals to keep some of the clean tone for clarity.
  • I use automation to move the bit depth knob during my song for cool glitch effects.
  • Lowering the sample rate gives instruments a vintage video game vibe.
  • Using EQ after the bitcrusher helps remove unpleasant harshness.
  • Layering crushed and clean versions of the same sound adds depth and texture.
  • Experimenting with different bit depths can help find the perfect balance between warmth and destruction.

15. MB cRushy

MB cRushy VST Plugin by MB-PlugIns
MB cRushy by MB-PlugIns

OS: Windows Win Bit Version: 32-bit Developer: MB-PlugIns Size: 1.2 MB Rating: 73/100

MB cRushy offers a flexible way to shape and distort your audio with precision. It brings together bitcrushing, overdrive, and filtering to create sounds that range from light warmth to extreme digital grit. Each band can be tuned for your needs, giving detailed control over tone and texture.

With controls for crush, drive, shape, and tone, MB cRushy helps you craft clear or chaotic sounds alike. It works well on drums, synths, and vocals, adding punch and color to any mix. The multiband setup makes it a creative tool for sound design and mixing.

Features

  • Multiband Bitcrushing And Distortion
  • Adjustable Drive And Crush Controls
  • Shape Control For Tone Response
  • HiPass Filter For Low Cut
  • Ducking Feature For Dynamic Mixing
  • Per Band Drive Customization
  • Oversampling For Improved Quality
  • Tone Knob For Brightness Control
  • Output Level Volume Adjustment
  • Left And Right Level Meters

MB cRushy Rating

73% Rating
  • Sound Quality: 42/50
  • Interface: 6/10
  • Features: 9/10
  • Ease of Use: 7/10
  • Compatibility: 3/10
  • Performance: 6/10

Pros

  • Warm tube-like overdrive sound
  • Multiband design for flexibility
  • Smart ducking and blend tools
  • Acts like several effects in one
  • Sounds musical, not harsh
  • Strong punch on drums
  • Excellent transient control
  • High-quality boutique sound
  • Fully functional free version
  • Creative sound design options

Cons

  • Only works on Windows systems
  • Limited to 32-bit format
  • Small GUI on high screens
  • Uses high CPU with oversampling
  • No built-in limiter control
  • No MIDI control support
  • Lacks modern visual feedback
  • Can sound harsh when overused
  • Lacks wet/dry mix knob
  • No AU or AAX versions

What Users Say

  • I am trying the free version and it is very nice indeed, I tried it on drums and the transient enhancement is beautiful – fedexnman
  • This is a very creative and fantastic plug-in with an exceptional sound I have not heard in other plugins – marvin_martian
  • I believe its purpose is not exactly saturation, but transient mangling; despite that, you can use it for adding punch and defined drops at the same time, or even smash everything to bits with the distortions, while still keeping the transients sort-of-preserved – karp
  • Strapping mb cRushy across the master bus really tickles, tone is delightful and mix remains intelligible even when smashed to a pulp with everything cranked – Pashkuli
  • MB cRushy makes my drums pop out in a mix like no other plugin I own, it’s insane on parallel drum bus – DonLucia

MB cRushy Tips

  • Experiment with bit depth settings to find the sweet spot between clarity and crunch.
  • Layer a clean and a crushed version of the same sound for more depth.
  • Use MB cRushy on bass lines to add bite, but don’t overdo it to keep the low end clear.
  • Automate parameters to make transitions more exciting and dynamic.
  • Combine MB cRushy with distortion or saturation for even richer textures.

16. TAL-Bitcrusher

TAL-Bitcrusher VST Plugin by TAL Software
TAL-Bitcrusher by TAL Software

OS: Windows Win Mac Mac Bit Version: 32-bit, 64-bit Developer: TAL Software Size: 72 KB Rating: 71/100

TAL-Bitcrusher offers a simple way to shape and dirty up sounds using classic digital distortion. It lets you adjust bit depth, sample rate, and noise to give your tracks a rough, digital character. Built-in EQ controls help balance low and high tones for clear or gritty results.

This plugin works well on drums, synths, and leads when you want a lo-fi or aggressive edge. The dry/wet control makes it easy to blend clean and crushed signals, giving you full control over how much effect you apply. It’s a quick tool for creative sound shaping.

Features

  • Adjustable Bit Depth Control
  • Customizable Sample Rate Reduction
  • Built-In Noise Generator
  • Noise Cross Modulation Feature
  • Dry And Wet Mix Control
  • Low Shelf EQ Adjustment
  • High Shelf EQ Adjustment
  • Output Volume Adjustment
  • Light On CPU Usage
  • Ideal For Drums And Synths

TAL-Bitcrusher Rating

71% Rating
  • Sound Quality: 36/50
  • Interface: 6/10
  • Features: 7/10
  • Ease of Use: 9/10
  • Compatibility: 3/10
  • Performance: 10/10

Pros

  • Great crunchy lo-fi sound
  • Includes noise cross mod
  • Has dry and wet mix
  • Has low and high EQ
  • Better mix knob than others
  • Works on Windows and Mac
  • Ideal for creative distortion
  • Stable and reliable plugin
  • Light on computer CPU
  • Can go subtle or harsh

Cons

  • No visual waveform display
  • Outdated interface design
  • No preset saving option
  • Lacks advanced modulation controls
  • No built-in limiter
  • No oversampling feature
  • No resizable interface
  • No MIDI control options
  • Limited sound shaping tools
  • Missing stereo width control

Video Demo

What Users Say

  • Very nice easy to use bitcrusher like device for adding odd distortions to your sounds and samples with minimum efforts – jho (KVR Audio)
  • One of the best bitcrusher plugins out there for me which i also use on some commercial projects – lodio (KVR Audio)
  • Great sounding bitcrusher that doesn’t trash your sound unless you want it to, does nice subtle crunch and is very light on CPU – djsynchro (KVR Audio)
  • TAL-Bitcrusher is a fantastic free plugin that does exactly what it says and more, with a simple and intuitive interface – irionda (KVR Audio)
  • I love using TAL-Bitcrusher on hi-hats and snare drums to give them a crunchy, digital edge without losing all the transients – bmanic (KVR Audio)
  • TAL-Bitcrusher has become my go-to for quick lo-fi effects on synths and vocals – shogger (KVR Audio)
  • For a free plugin, TAL-Bitcrusher offers a surprising amount of control and very usable sound quality for creative destruction – compa (KVR Audio)

TAL-Bitcrusher Tips

  • I like to start by lowering the bit depth just a little to keep the sound crunchy but not too harsh.
  • I use the mix knob to blend in the crushed sound with my clean track so it’s not too strong.
  • I like to use automation on the bit depth to make cool, moving sounds in my song.
  • I crush the sound after reverb sometimes for a lo-fi, dreamy texture.
  • Combining TAL-Bitcrusher with delay or reverb creates unique textures that feel spacey or glitchy.
  • Adjusting the filter inside TAL-Bitcrusher helps remove high-end fizz and keeps the tone smooth.

17. cyberia

cyberia VST Plugin by slowslicing
cyberia by slowslicing

OS: Windows Win Bit Version: 64-bit Developer: slowslicing Size: 1.9 MB Rating: 68/100

cyberia offers a mix of bitcrushing and filtering tools that shape sounds from clean to gritty. It can crush audio for harsh, digital edges or smooth it out for warm, retro tones. Adjustable controls help you sculpt textures for ambient, lo-fi, or experimental tracks.

With features like dithering, noise shaping, and adjustable bit depth, cyberia gives fine control over the tone and detail of your audio. The filter section includes cutoff, resonance, and smoothing options, while mix and gain controls help balance and blend your final sound.

Features

  • Bitcrusher And Filter Processing
  • Adjustable Bit Depth Control
  • Variable Sample Rate Settings
  • Dither Type And Amount Control
  • Cutoff Frequency Filter Control
  • Mix Balance Between Dry And Wet
  • Experimental Sound Design Features
  • Drag And Drop WAV Samples
  • Includes Presets And Sample Content
  • Intuitive Interface With Many Parameters

cyberia Rating

68% Rating
  • Sound Quality: 37/50
  • Interface: 6/10
  • Features: 8/10
  • Ease of Use: 7/10
  • Compatibility: 4/10
  • Performance: 6/10

Pros

  • Creates rich and gritty textures
  • Strong control over bit depth
  • Dither adds cool noise flavor
  • Noise shaping gives custom color
  • Filter helps shape bright sounds
  • Stereo mode widens the mix
  • Mix knob balances dry and wet
  • Unique tone compared to others
  • Feels more organic and evolving
  • Stands out among free crushers

Cons

  • Only works on Windows systems
  • No AU or AAX version
  • Can use lots of CPU
  • No built-in preset manager
  • Lacks multi-band processing
  • No modulation or LFO options
  • Interface looks plain and basic
  • Can sound too harsh easily
  • Lacks integrated limiter safety
  • Other bitcrushers offer more depth

Video Demo

What Users Say

  • This plugin is truly something special, and I don’t say this lightly as someone who owns several hundred plugins – noizetoner
  • I have to say, that this one inspires me more than many other synths – Funxlayer
  • Cyberia has a very atmospheric, cinematic sound out of the box and it seems perfect for ambient and scoring work – whyterabbyt
  • The whole concept of this synth is very different from most other synths and I really like this fresh and creative approach – Funky40
  • It’s exciting to have an atmospheric and ambient softsynth that lets you create organic, evolving sounds from WAV samples – slowslicing

cyberia Tips

  • I always try different bit depths to find the sweet spot between clarity and crunch.
  • Use Cyberia’s sample rate control to give your audio a vintage or lo-fi tone.
  • Adjust the wet/dry mix to blend crushed sounds smoothly into a full track.
  • Try automating the drive knob for cool rising or fading effects in my songs.
  • Experiment with putting a bitcrusher before distortion for a harsher, edgy sound.
  • Automate the bit depth over time for evolving, glitchy transitions.

18. Compakt

Compakt VST Plugin by HSM Audio
Compakt by HSM Audio

OS: Windows Win Bit Version: 32-bit Developer: HSM Audio Size: 0.9 MB Rating: 51/100

Compakt is a bitcrusher plugin made for adding crisp digital grit to your tracks. It lets you adjust bit depth for crunch, lower the sample rate for a lo-fi touch, and blend clean and crushed sounds with a simple dry/wet control.

Compakt offers an easy way to get gritty, punchy tones without complex controls. It works well for shaping drums, bass, or synths when you want extra bite or texture. Its simple layout helps you get the sound you want in seconds.

Features

  • One-Knob Bit Depth Control
  • Downsampling And Mix Buttons
  • Adjustable Dry Wet Balance
  • Clean Easy Interface
  • Creates Crunchy Lo Fi Sound
  • Quick Setup
  • Low Cpu Usage
  • Vst 32 Bit Format
  • Great On Drums
  • Fast Sound Design

Compakt Rating

51% Rating
  • Sound Quality: 27/50
  • Interface: 5/10
  • Features: 3/10
  • Ease of Use: 8/10
  • Compatibility: 2/10
  • Performance: 6/10

Pros

  • Great sound quality for free
  • Adjustable bit depth control
  • Simple downsampling options included
  • Smooth dry and wet blend
  • CPU friendly and lightweight
  • Produces rich vintage tones
  • Less bloated than other crushers
  • Instant lo-fi sound control
  • Great for kicks and snares
  • Fun and quick sound design tool

Cons

  • Only works on Windows
  • No Mac support
  • Limited to 32-bit
  • Not supported in modern DAWs
  • Very few sound controls
  • No presets
  • Crashes in Cubase
  • Does not recall settings
  • No automation
  • Cannot resize window

What Users Say

  • UI is nice and clean and the presets were very usable – stulippa
  • this really sounds nice on drums – HSM Audio
  • it is very cpu efficient on my system (12700k) when compared to some other popular compressors in my collection – nevla
  • I was very pleasantly surprised with this plugin – kala
  • for bus work it gave me some really sweet colour and punch on drums and guitars – kala

Compakt Tips

  • I always keep the mix knob below 50% when I want a subtle bitcrush effect.
  • I often use the filter controls to smooth out harsh highs after heavy bitcrushing.
  • I try automating the bit depth while the song plays to make it sound more alive.
  • Bitcrusher plugins work great on synths and drums to add digital grit or retro tones.
  • Combine Compakt with a delay or chorus plugin to make bitcrushed sounds feel wider and deeper.
  • Adjust output levels carefully to avoid clipping since bitcrushing can boost the volume sharply.


Bitcrusher VST Plugins Compared

This table compares Bitcrusher VST plugins by features, controls, effects, formats, and more.

In-depth comparison of Bitcrusher VST plugins, including features, controls, OS, bit version, and more.
Details Krush Crush PCM2612 Retro Decimator Unit Timemachine MBitFun Crush MBitFun BPB Dirty Spring HomeCorrupter Delta Modulator Marauder Elite Reducer Dizztroy 2 Gravel MB cRushy
Image Krush Crush PCM2612 Retro Decimator Unit Timemachine MBitFun Crush MBitFun BPB Dirty Spring HomeCorrupter Delta Modulator Marauder Elite Reducer Dizztroy 2 Gravel MB cRushy
Rating 89 Good! 88 Good! 87 Good! 85 Good! 84 Good! 82 Good! 81 Good! 80 Good! 79 Solid 77 Solid 76 Solid 74 Solid 73 Solid 73 Solid 73 Solid
OS Windows, Mac Windows, Mac Windows, Mac Windows, Mac Windows, Mac Windows, Mac Windows, Mac Windows, Mac Windows Windows, Mac Windows, Mac Windows, Mac Windows Windows Windows
Formats VST, VST3, AU, AAX VST, AU VST VST, AU VST, AU, AAX VST, AU VST, AU, AAX VST2, VST3, AU, AAX VST2, VST3, AU VST, AU VST, AU VST, AU VST VST VST
Bit Version 64-bit 64-bit 64-bit 32-bit, 64-bit 32-bit, 64-bit 32-bit, 64-bit 32-bit, 64-bit 32-bit, 64-bit 64-bit 32-bit, 64-bit 64-bit 32-bit, 64-bit 32-bit 32-bit, 64-bit 32-bit
Developer Tritik Audec Inphonik ToneBoosters MeldaProduction Fabric 70 MeldaProduction Bedroom Producers Blog igorski Xfer Records ViatorDSP Virtual Creations Z3 Audiolabs Taiga dsp MB-PlugIns
License Freeware Freeware Commercial Freeware Freeware Commercial Freeware Freeware GPL Freeware Freeware Freeware Freeware Freeware Freeware
Sample-Based No Select No No No Select No Yes No No No No Yes No Select
Download Size 13 MB 1 MB 30 MB 1.6 MB 121 MB 5.4 MB 121 MB 8 MB 4 MB 0.2 MB 8 MB 401 KB 2.6 MB 1 MB 1.2 MB
CPU Load Low Low Low Low Low Low Low Low Low Low Low Low Low Low Low
Polyphony 1 8 1 1 1 8 1 32 8 1 8 8 8 8 8
Features Bit depth reduction, Sample rate reduction, Crunchy drive, Analog filters, Modulation section, Preset system, Resizable interface Bit crushing, Downsampling, Dry/Wet mix, Volume control, Oversampling, Auto-gain, Pre/Post filters Free plugin, 8-bit decimation, Dry/Wet control, Stereo/Mono switch, Output filtering modes, Scalable interface, Dual layout options Bitcrusher, Freeze/Reverse, Sample-rate control, AD/DA aliasing, Dithering, muLaw shaping, Wow/Flutter Bit manipulation, Extreme distortion, Advanced interface, Unique visualization, Smart randomization, Surround processing, Global presets Distortion Types, Noise Texture, Bit Crushing, Downsampling, Preset Management, Mix Control, Built-in Limiter Advanced Interface, Visualisation Engine, Multiparameters, Surround Processing, Smart Randomization, Adjustable Upsampling, MIDI Learn Spring reverb, Bitcrusher, Decay control, Tone shaping, Pre-delay, Mix blend, Kick trigger Bit reduction, Sample rate control, Clock speed modulation, LFO automation, Real-time slowdown, Tape-style sync, Wet/dry mix Bit depth control, Sample rate reduction, Constant bit-toggle, Interpolated smoothing, Dry/wet mix, Input/output level, Gate silence indicator Bit Reduction, Resampling, Noise Control, Drive Distortion, Jitter Algorithm, Filter Shaping, Mix Blending Bitcrushing algorithms, Dithering option, Dual filters, Resonance control, Intensity adjustment, Mix blending, LoFi sound Bitcrush distortion, Custom waveshaping, Drag-and-drop routing, Multisegment modulation, Envelope follower, MIDI control, Filter variety Bitcrusher distortion, Envelope modulation, Bit depth reduction, Sample rate decimation, Drive saturation, Attack control, Release control Multiband processing, Bitcrushing, Transient shaping, Distortion control, Noise generation, Tone shaping, Ducking compression
Controls Drive, Crush, Dwsp, Filter, Freq, Res, Rate Quantize, Downsample, Dry/Wet, Volume, Fine-Tune, Reset, Version Display DAC Prescaler, Mono Button, Output Filtering Lights, Dry/Wet Knob, Crystal Clear Switch, Legacy Switch, Gear Icon Button Number Of Bits, High Pass, Re-Sample Rate, AD Aliasing, DA Aliasing, Dithering, muLaw Input, Output, Dry/Wet, Bits, AGC, DC Blocker, XOR Distortion Type, Drive, Detect Threshold, Output Sensitivity, Noise Level, Resolution, Downsampling Input, Output, Dry/Wet, Bits, Side-Chain, AGC, DC Blocker Pre, Decay, Mix, Dirt, Tone, Kick, Bitcrusher Mode Sample Rate, Bit Depth, Clock Speed, LFO Speed, LFO Depth, Wet, Dry Constant Bit-Toggle, Interpolated, SR, Bits, Input, Output, Dry/Thru Resample, Bit Depth, Noise, Filter, Jitter, Drive, Mix Cut 1, Rez 1, Int, Cut 2, Rez 2, Mix, Dither Input Slider, Bypass Switch, Filter Section, Crusher Section, Drive/Dist Section, Shaper Section, Dry/Wet Slider Bit Depth, Drive, Decimation, Wet/Dry, Attack, Release, Audio In Crush, HiPass, Drive, Shape, Tone, Out, On/Off Switch
Effects Included Bit depth reduction, Sample rate reduction, Drive, Analog modeled resonant filters, Modulation Bit crushing, downsampling, pre filter, post filter, dynamics, saturation, tone-shaping, oversampling, auto-gain, stereo/mono processing Bitcrushing, distortion, filtering Bitcrushing, High-pass filtering, Aliasing distortion, Dithering, muLaw compression, Freeze, Reverse, Noise, Wow, Flutter, Saturation, Compression, Transient shaping Distortion, Delay, Low-Pass, DC Blocker Distortion, Bit Crush, Noise, Downsampling, Limiter, Filter, Dynamics Processor, Saturation Distortion, Delay, Low-Pass, DC Blocker Spring reverb, Bitcrusher Bit depth reduction, sample rate reduction, playback rate alteration, modulation via LFO, wet/dry mix Bitcrushing, sample rate reduction, distortion Bitcrushing, Distortion, Sample Rate Reduction, Pink Noise Generation, Filtering, Saturation, Tape Flutter, Clipping, Phase Inversion Bitcrushing, Filtering, Saturation Bitcrusher, sample rate reducer, overdrive, distortion, waveshape distortion, filter, high-pass filter, noise, hum, compression, clipping Distortion, Bit depth reduction, Sample rate reduction, Envelope follower Bitcrusher, Distortion, Filtering, Overdrive, High-pass filter, Compression, Transient shaping, Saturation
MIDI Learn Yes Yes No Yes Yes Unknown Yes Yes Yes Unknown Yes Yes Yes Unknown Unknown
Presets 35 N/A N/A N/A 16 35 16 15 8 N/A 10 40 150 N/A 25
Standalone No Yes Yes No No Select No Yes Yes No Yes Yes Yes Yes Yes
Last Updated 05/06/2024 N/A 09/12/2023 04/17/2024 06/23/2023 N/A 05/30/2024 04/23/2024 03/13/2021 06/12/2024 04/11/2024 07/04/2015 06/13/2024 06/23/2024 07/13/2024

Favorite Bitcrusher VST Plugin

Our top pick for the best free Bitcrusher VST plugin is Krush by Tritik.

Table of our favorite Bitcrusher VST plugin.
Details Krush
Image Krush
Rating 89 Good!
OS Windows, Mac
Formats VST, VST3, AU, AAX
Bit Version 64-bit
Developer Tritik
License Freeware
Sample-Based No
Download Size 13 MB
CPU Load Low
Polyphony 1
Features Bit depth reduction, Sample rate reduction, Crunchy drive, Analog filters, Modulation section, Preset system, Resizable interface
Controls Drive, Crush, Dwsp, Filter, Freq, Res, Rate
Effects Included Bit depth reduction, Sample rate reduction, Drive, Analog modeled resonant filters, Modulation
Download Download Krush

Bitcrusher Plugin FAQs

How to Install Bitcrusher VST Plugins

To install bitcrusher VST plugins on Windows or Mac, extract the files from the Zip or Rar. Move the files (.dll for Windows or .component for Mac) into your DAW’s plugin folder. Then restart your software and rescan the directory to complete the process. Tutorial: How to Install VST Plugins

Windows:

Extract the downloaded zip file and copy the .dll file into the VST plugins folder scanned by your DAW. Restart your music software and rescan your plugin directory to begin using the new VST.

Mac OS X:

Extract the downloaded archive and move the .component or .VST file to the plugin folder. It is usually /Library/Audio/Plug-Ins/Components or /Library/Audio/Plug-Ins/VST. Restart your DAW and rescan your plugins to complete the installation.

What Is A Bitcrusher VST?

A bitcrusher is a type of audio effect that reduces an audio signal’s quality or bit rate. The result can be heavily distorted sound, often with many artifacts added.

If you’re on a Windows computer, you’ll find most bit crushers are available as plugins. Mac users have some different options for this audio effect.


I hope you found this list of free Bitcrusher VST plugins helpful.

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Written By Mark Valenzuela

Mark Valenzuela is a blogger, entrepreneur, and educator. He has over 15 years of experience in music production. In 2008, Mark started Hip Hop Makers. It’s a leading resource for aspiring music producers and beatmakers. He specializes in content on music production, software, gear, and free music resources. Mark is dedicated to empowering creators at every level. He inspires music creators to chase their dreams.

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