How long have you been making music?

Man, since I was about 9 years old. I started out rapping and then DJing and then producing.

What equipment are you using?

MPC 4000, Reason 4.0, Pro Tools with plug ins. That’s pretty much it.

You said you use reason too, how do you use it with your MPC set up?

I use the MPC as a contoller to trigger the Reason sounds. I have a Midi controller connected to the MPC so I pretty much do all the sequencing in the MPC. I don’t like the sequencer in reason but I love having easy access to the sound modules.

Do you have a preference with hardware or software?

I’m a MPC guy. I look at the MPC as an instrument so I need to play it to feel the music. Its hard to get use to the mouse and the midi keyboard.

How much time do you spend making music?

Lately, not that much time. Maybe about three days a week. I’m at the point where I can work on beats that I will keep instead of making a bunch of beats that are wack and unusable.

Do you have a manager? If so and if so, how has it helped you in getting heard?

No, I don’t have a manager. I had a few managers, but most managers are motivated by money.

So you have had a couple managers, but you don’t now. Did you have some bad experiences with them?

I wouldn’t say bad experiences. They just weren’t a benefit to me. If you’re paying someone to perform a service, you expect certain things. I didn’t get that. I’m writing a book called "The Beat Game" coming out sometime this summer about my whole experience with managers, lawyers, accountants, and the business in general. I think it would help a lot of aspiring producers.

What is your beat making process?

I usually make the beats in my head. If its an original idea, I hear the sounds in my head and try to duplicate it on my set up. If I hear a sample, I try to figure out how I can chop it and create something unique. I never force it though.

How do you know when a beat is done?

Honestly, Its never done until you create a song. If you’re a good producer, you will know when you need to add or subtract elements from a beat.

How do you describe your style?

I called me style “The Feeling”. No matter what kind of track I’m producing, it has to move you in some sort of way. If you play any of my tracks without vocals, the production can stand by itself. You would be amazed at how many tracks out there that don’t give you that.

How many beats do you make a day?

It varies. On a good day, I could start about four beats that could turn into something I will keep.

What are some accomplishments that you are most proud of in the production game?

I have to say my work on Cam’Ron’s first album “Confessions Of Fire”. That was my first piece of work released commercially and it went gold. I co-executive produced that album and produced 9 songs for that album. I had just graduated from college.

Do you sell your beats online, face-to-face or both? And do you have a preference?

I try to get face to face contact with the artist and/or managers. You can get a better idea if people are bullshitting you or not. For the most part, artist are usually willing to check out the music but some managers are more Hollywood than the artist. I have some tracks on pmpworldwide. com and some on mybeatshop.com. I decided to put some beats on mybeatshop after a conversation with the owner. I really like what he’s doing over there.

You have produced for some big artist, do you usually work in the studio with them, or do you just send them beats?

A little bit of both. I’ve worked with Jennifer Lopez in the studio. 50 and Jay ran my records by me before they were released. The majority of artist record to my music and then we talk about making changes later. Nowadays, artist don’t want to record with producers anyway. That’s part of the reason why music is not that great today.

When you were starting out, what methods did you use to get your beats heard by these big name artist?

Well, in this business its all about who you know. Every placement is a stepping stone. When I was working on Cam’Ron’s first album, I built a few relationships with different camps and industry people. I pretty much just showed people how serious I was about shopping my tracks. You have to figure out what people can help you and connect you with an opportunity. I still deal with it because the times have changed. You’re as good as your last hot beat.

When you submit beats, do you submit hooks too? Or suggestion on what kind of lyrics you imagined on your beat?

If I make a beat and I come up with a hot hook, I’ll submit it. Nowadays, you can’t make any suggestions because you’re not in the studio while its being recorded. If I send beats to A-list artist like Jay-Z, etc, I don’t worry about that too much.

In your opinion, what types of things should the new/young producer concentrate on most to develop thier skills?

Developing an understanding of music. Don’t be scared to be different. To many young producers are satisfied with making beats that sound like other people. With today’s technology, it makes it easier to sound like you know what you’re doing. If you are given all the sounds in a program and then you copy Lil Jon’s programming, that’s not making beats, that’s duplicating.

You don’t have to name a amount, but has dealing with the music industry paid you well? Like are the checks your getting these big name artist leaving you set for months, or do you have to hustle hard for that next beat sale?

You always have to hustle because one hit track won’t make you rich. I have sold over 20 millions records over the course of my career. But a lot of the artist I have worked with are unrecouped. The only artist I receive checks from are Jay-Z, 50 Cent and Jennifer Lopez. Right now, its hard to consistently get placements so you have to find others ways to generate income.

How much time do you spend digging for samples?

Not much. Sometimes if I get a block, I’ll go out and record shop. For the most part, I go through records I already have because I have thousands of them. I usually hear things differently on different days.

How do you feel about the music that’s on the radio today?

I’m not upset about it anymore because radio as we know it is about to go down. There are too many ways for people can get music now. We don’t have to be held hostage to the radio anymore. The music on the radio is made for the radio.

You have worked with a lot of big names, so is it easier to get placement on a big albums now, or is a struggle to still get heard by some of these artist?

Its still a struggle because there is more competition now.
Artist can afford to have 100 producers submit tracks until they’re ready to pick something. Its more about timing now.

I think I read in another article, your first major placements were with camron, are you guys still working together nowadays?

Nah

Tell me about your website PSKill University? ( www.pskilluniversity.com )

Man, I’m so exited about it. Pskill University is a Online school I’m starting for beatmakers and producers. I wanted to start a more organize way to share knowledge about production. I still emails from aspiring producers asking me questions because they can’t find the answer. I have nothing against Music schools but I feel like there is a lot of information they can’t teach you. At Pskill, all of the instructors have first hand knowledge about production and industry experience. Students wil be able to take courses on sampling, beat shopping, producers income, etc.

When can we expect Pskill University to launch?

We’re shooting for sometime in May. The response has been great.

Can you tell me about Six Figga Entertainment?

Six Figga Entertainment is the parent company to everything I’m doing right now. I have Digga Talk Radio, ProducersSkill.com, Pskill University and the record label. I have my artist Fab Nickel and Thonio along with a staff of producers too.

What made you start a podcast?

I wanted to communicate with an audience that understands where I’m coming from. I think there is much more to a producer than turning knobs or dancing in videos. I’m trying to start a movement that’s an alternative to that. I think we should talk about politics, technology and other issues that relate to music production.

Can I have the direct url to your podcast?

Check me at www.DiggaTalkRadio.com. I’m actually in the process of doing a deal with a large internet radio network too.

I have seen a couple of your Youtube videos. What made you do them? (youtube.com/user/sixfigga)

To be honest, I just did one for pmpworldwide.com. After that, people just started emailing to do more, so I said why not. I was already thinking about teaching some classes at a few high schools in New York. That idea eventually lead to me forming Pskill University.

Here is one of Digga’s videos

What is your going rate for beats, and how do you determine what a beat is worth?

They can go from $2500 to $20,000. Every situation is different though. If the relationship is worth me lowering my price, I will. For me, the up front advance is not what’s important. Most artist don’t recoup but they still sell records. To make a long story short, your publishing splits have to be right so you can always receive royalties. Check out Pskill University for more lol.

What tips do you have for new producers?

Develop your production skills like a sport. Work on your chopping skills, drum programming, arranging, etc. You gotta master your lay ups and jumpshots.

What artist do you really want to work with right now?

I’m still trying to land something on Jadakiss and Ludacris. To be honest, I just want to hear it for myself.

What up coming projects do you have?

I’m working on some stuff with the Clipse and Re-up gang, Killa Mike and Lil Kim. I also got Fab Nickel’s “How To R.O.B” and Thonio’s “The Life Of Anthonio Ray Williams” dropping this summer on Six Figga Entertainment,Inc. Don’t forget about ProducersSkill.com and PskillUniversity.com launch soon!

How can people get in contact with you?

Hit me up on myspace.com/sixfiggaentertainment or digga@sixfigga.com

How is life?

It’s great, I can’t complain at all.  Just been working hard as usual, and trying to maintain.

How long have you been making music?

About 9 years now.  I started out strictly as an MC first. But while I was recording back then, I involved myself a lot on the production side before I was navigating with the machines fully on my own.

What equipment are you using?

Right now, the MPC 1000, Motif ES Rack, Powerbook G4, Roland SH-201, Technics SL-1200 and of course, Pro Tools.  The rest of the stuff is the obvious… monitors, mixers, etc.

Do you have a preference with hardware or software?

I first started out with software…but, I personally prefer hardware.  There’s absolutely nothing wrong with using software.  But, when it comes to getting the sound and groove that I want, I execute it best with the machines.  I like it all hands on; hitting pads and keys, turning knobs etc.  ALSO, I don’t know about everybody else… but for me…  I’ve had less headaches ever since I switched to hardware, lol.  I was constantly getting headaches from staring at the computer screen all the time.  But, I kinda have bad eyes, so maybe it’s just me, lol.

Are you pursuing music full time or is it just a hobby?

I’ve been doing music full-time for 2 years now, and that’s something I’ve been reaching for since I was 16.  It’s not JUST a hobby for me… but, it IS a hobby that I take seriously, not only as a craft, but also a career.  I mean…  I’d rather get paid doing something that I love rather than doing something I hate.

Since your prusing music production full time. What kind of problems have you encountered so far?

Being self-employed is a challenge, period.  Business can be boomin’ one minute, and then the next minute there could be a serious drought.  And having creative blocks effects me more.  Before, it was like… if I had a creative block, I’d just give it a rest and be coo with it.  But now it’s like… If I don’t make a beat… I don’t eat lol.  I get really stressed out when I have a block. Besides that, I haven’t encountered any serious problems as of yet, and I hope I never do.  Sometimes I come across hard-headed artists. As a producer, most things have been running smooth.  Now… if you asked me what kind of problems I’ve encountered as an ARTIST (emcee)… THAT would take up a whole book full of pages.

How much time do you spend making music?

ALL THE TIME! lol.  To me… making music isn’t just being behind the machines and arranging sounds physically.  There’s more to it than that for me.  I’m "making music" even while I’m just listening to other music.  I’m "making music" when I’m watching movies or playing a video game… or even grocery shopping, lol.  When I’m in the shower I’m coming up with melodies or drum patterns in my head. My brain never seems to shut off when it comes to music.  There’s always something that I’m doing either physically, socially or mentally to get more inspiration and ideas.  So, I guess you can say it’s just about 24/7 for me, lol.

Do you have a manager? If so and if so, how has it helped you in getting heard?

At this moment, no.  I’ve been down that road before, and I’m very cautious about that now.  I’ve had a few offers, but none that have made me say "yeah, this is it right here.  this is perfect." So, I’m still just focusing on myself right now and getting my own business together.  Truth is… you have to make sure you find the right manager for you.  The wrong person representing you can seriously ruin some chances or hurt your progress.  Having a manager is VERY important, but you can’t just settle for anybody.

Whats your beat making process?

It depends.  If I’m sampling;  I dig through records until I find something that grabs me, I record the sample, drop it into my MPC, chop it and arrange the pieces how want them to be.  If it’s from scratch… I just turn on the machines and start looking for sounds randomly, or something specifically for a melody I have playing in my head.  I’d say 99% of the time, I start with my drums first…. the drum sequence is the most important part for me.  I put a lot of focus on the layering, rhythm, feel and timing of every drum sound. Once I’m satisfied with the drums, I’ll either start recording my sample arrangements… or if I’m not sampling, I’ll start messing around with chords and melodies.  The rest just continues from there.

Do you just produce or do you rap or sing too?

I still do rap as well…. I’m currently working on my album.  I can’t really sing.  I mean, I can do some smooth, funky Bootsy Collins style falsetto choruses, but that’s about it, lol.

How many beats do you make a day?

Now that really varies.  I could have a day where I produce five or more beats…. but then there are days where I just knock out one or two.  And of course, there comes a time when I go through "producer’s block" and can’t come up with anything for a week, lol.  It all depends.  My arsenal is huge though.  One thing I don’t do is force my creativity.  You can tell when a person’s beat was just made for the sheer fact that they "needed" to make a beat for the day.

What are some accomplishments that you are most proud of in the production game?

Man, I’m just happy that I continue to grow musically. I’ve been gaining attention and respect.  My name is circulating, and I feel blessed to have such a buzz starting to spark up.  I’ve been contacted by major producers showing love.  I’ve been able to survive and keep myself fed, doing this full-time.  I may not be in the big leagues yet… but, everything comes in due time.  God is good…. I’m thankful.

Have you worked with any names we might recognize?

Not as of yet.  Well.. besides Cam’Ron jacking one of my beats for his latest mix-tape, lol.  I’m still shopping tracks around, getting connects and networking.  It all takes time.  I’ve been contacted by one of the members of Lord of the Underground.  So, who knows… I just may get a slot on Funke’s upcoming solo album.  Just stay tuned….  my name will be found on linear notes eventually, lol.

So Camron took one of you beats, how did he get a hold of it?

I’m not quite sure exactly.  But, I have some ideas.  I was personally shopping beats to J Bezel (Juelz Santana’s protege) back in late 2006.  Cam might’ve had access to the folder of beats I sent… and just decided to use it.  Like I said, I’m not exactly sure.  If not, he must’ve just downloaded it or something.  I contacted Bezel about it, but he said they haven’t spoke to nor seen Cam in a while.  It ain’t just some rumor… Cam’s really been a ghost lately, lol.  Hardly anybody knows where the hell he’s at or what he’s doing right now.  Chances are… he probably didn’t even know who produced the beat.  He might’ve just heard it in some older and grabbed it.

How did that make you feel?

I was somewhat surprised, but I really didn’t care all that much.  I laughed about it and went about my day.  A shoutout would’ve been nice lol, but oh well.  I mean… what the hell could I do about it???  It’s on a mix-tape…. a mix-tape…. a "for promotional use only" mix-tape.  Big deal.  I’m not going to try to hunt him down for using my beat on a mix-tape.  I normally charge just $50 for leasing rights to use a beat on a demo or mix-tape.  So, I’m not gonna cry over a $50 loss, lol.  He recorded over an mp3 2-track stereo version of the beat, and you can tell that just by listening to it.  Now, if that joint would’ve been on an official album… THEN I would’ve been taking legal action or hunting him down for credits and compensation.  Bottomline… he doesn’t own the rights nor the separated tracks to that beat.

And it was called "Chitty Chitty Bang Bang" or somethin’ like that on his Public Enemy mix-tape that came out last year.  I honestly listened to the song only once half-way through.  That’s NOT a diss. I just didn’t listen to the rest of the song.

Do you sell beats? If yes, how do you promote and sell them?

Yeah, that’s how I keep my bills paid.  In a sense, I think I was one of the lucky people.  I started my online beat hustle a little bit BEFORE the net started becoming overly saturated with everybody trying to make beats and claim they’re the "hottest producer in the game".  My former partner and I started off on soundclick, and we didn’t even think it was going be as successful as it was.  We were getting millions of plays at first without even promoting a damn thing, lol.  No banners, no "v.i.p. account"…. just beats with famous rappers’ faces on them. We just uploaded beats and hoped for the best.  Soon as we knew it… we were constantly on the charts. So, at the end of the day… I think in SOME cases, the music will just speak for itself.  Nowadays, I’m still using avenues like soundclick, rocbattle, myspace and of course, Youtube.  I have a business phone, so I take calls and sell beats through the use of paypal or western union.

Do you sell your beats online, face-to-face or both? And do you have a
preference? Why?

Both.  But to be honest… my clients and fan base are every where BUT my hometown, lol.  There’s really not that many artists here in Colorado that are going in the same direction as I am musically.  There is a serious lack of "soulful" artists in this area. You have no clue just how hard they are to find, lol.  So, as of
right now, I do most of my beat selling online.  Do I prefer it that way?  Honestly, No.  Selling is always executed better face-to-face…. or at least speaking to the person vocally.  That’s why I activated a business phone, because it makes things a lot more comfortable on both ends.  But, I’d prefer face-to-face.  You could get someone a lot more excited about your beats if they were in the presence of you…. sharing ideas and snapping your neck to the rhythm like it’s nobody’s business lol.

How do you determine what a beat is worth?

When it’s a track that I know in my heart could be a hit or a album classic if the right person copped it.  How much work I put into it.  Also, the reaction of other people who DON’T produce or make music.  They’re the most important listeners to me.  Because they’re going to judge it off the entire track and the feeling it gives them.
They’re not paying attention specifically to the snare, or the bassline, or the kick drum, or a sample like us musicians do.  They don’t understand all that jargon about the EQ, mix, reverb, delay and compression, lol.  Some of them can’t even decipher whether it’s a brass section, strings or a synth… whether it’s an acoustic or an electric bass.  They don’t care which instrument it is.  They want good music.  They "understand" WITHOUT understanding.  If the mix is terrible, or the sounds are weak, or some of the notes are off-key…. it’ll make them cringe without them even knowing exactly why. They’ll just know that SOMETHING is wrong.  There’s a reason they’re not feeling it.  I like letting people like THAT listen to my beats… ’cause it’s as simple as, "they either like it or… they don’t".

How has Youtube helped you get exposure?  Has it help you get any industry connections?

Youtube is a BLESSING lol.  That avenue is what truly got my name circulating outside of just music sites like soundclick.  It had helped tremendously with exposure.  People are posting and discussing my videos all over the place at websites and forums that I’ve never even seen or heard of before.  I’d have to say that youtube established my favorite form of promotion… "word of mouth". And yes, it has helped with industry connections.  I’ve been contacted by the likes of Ryan Leslie (who is also huge on Youtube) and others.  Just about all my industry connections have came from my vids.

Your "Boon Doc on MPC-Pt.2" video on Youtube ( Video Below ) got over 400,000 views. How does that make you feel? And did you sell that beat?

I’m still amazed to this day.  I mean… there’s people out there who have MILLIONS of views out there… but I feel blessed to have even over 100,000.  I have to thank this cat Jeremy for that. He contacted me last summer because he was getting the ‘Guest Editor’ spot for July 2007 on youtube.  He asked if he could feature one of my videos on the front page, and I was like "HELL YEAH!" lol.  I was getting a decent amount of views before then… but that front page spot is what REALLY set it off.    Surprisingly… I have NOT sold that beat yet lol.  Some people have inquired about it though.  I don’t want to sell that one to just anybody though… so my price on it isn’t exactly cheap.

But, for real…. I’ll tell you this…. artists are WEIRD!!!  The
beats that they usually want to get are the one’s that the producer
didn’t like initially.  Ask any producer that… and they’ll probably
tell you the same thing.

What should up and coming producers do to get better?

First of all, stop trying to worry about what everybody else is doing all the damn time.  Too many cats dig around trying to find out what equipment Timbaland is using, which MPC J Dilla used, where Pete Rock got his drums from,  which record Primo sampled from, which synth The Neptunes used in "(put song title here)".  There’s nothing wrong with doing that kind of research sometimes… but for goodness sakes, focus on YOU!  Find the equipment that makes YOU feel more comfortable.  Start building your OWN drum arsenal and tweak them to your liking.  If you’re a sampler, don’t just grab samples just for the sake of them being hot samples.  PAY ATTENTION to those samples! Listen thoroughly to how the instruments in the sample are being played… the way the strings are being played, the octave of the piano, the way the bass is moving… that little one-note pluck of a guitar that gives the entire composition a boost of funk or soul. That way, you’ll be able to have a keen sense of how you arrange your music when you’re NOT using samples.  Also, understand how to leave space for a vocalist to shine… learning how to not throw in too many melodies and sounds at one time.

How do you stay inspired?

Become a fan of different musical genres.  Don’t just"listen"… become an actual FAN.  Work with people that will inspire you and challenge you beyond your comfort zone, whether it’s with other producers or artists.  Stay away from the people that you don’t have chemistry with.  What I mean is…. if you’re working with someone, and you realize that you get bored quick or your creative energy drops when you’re around them…. you probably shouldn’t waste anymore time forcing yourself to make music with them.  And most importantly… don’t think so hard, lol!  Making music is supposed to make you feel free.  It’s supposed to be fun.  Don’t stress yourself out trying to be the best producer in the universe in one day.

How much time do you spend digging for samples?

Hours upon hours upon hours.  I’m always digging.

What tips do you have for new producers?

Be patient.  Producing is a way of life, and it takes time to understand the art.  Martial Arts isn’t just about kicking, punching and yelling "HEE-YAH!".  Therefore, producing ain’t just about sequencing a drum pattern and throwing in some extra instruments.  Always remain a student, and you’ll continue to grow. Don’t expect to be making all-time classic material in just the first few months or years.  Just have fun and make mistakes.  Yes… MISTAKES!!!  You’re going to make some wack ass beats for a little while lol…. we all have to go through that process.  As long as you keep studying and working hard towards getting better… you’ll stay on the right path.

What up coming projects do you have?

Boon Doc:  I’m working on my album as an emcee and producer, titled ‘Doc U Meant it’.  It’ll feature some artists and producers I’ve been collaborating with.  Classic Blue, Young Burna, Uzoy, Naaem Oba, Fabe and my protege’, Fat Trak, will all be making an appearance.  That’ll be coming out sometime in 2008.  Classic Blue is a really soulful production/artist team that I’m a part of with Shawn Keith, Kells, Kirk and Sahada…  and we’ll be working on a project as well.  Fat Trak and I will be putting together an instrumental project together after my album is released.  Young Burna and I are currently preparing to work on his mix-tape, and it’s going to be insane!  Burna is going to make a HUGE impact in the hip-hop industry.  A lot of these so-called "rappers"/"emcees" are really going to have to step their game up once they see what this kid has to offer.

How can people get in contact with you?

Just hit me up on myspace at myspace.com/booniemayfieldmusic.  You can also visit my Youtube station at youtube.com/blacktuezday.  If you’re trying to purchase
beats, you can call my business-line, (720) 244-8221.  That number is ONLY for people buying or inquiring about beats for sale.

Eyetel info:
Website: http://www.mceyetel.com/
Myspace: http://www.myspace.com/eyetel

How long have you been making music?

Longer than I care to remember! I’ve always wanted to do thing musically, but I think I started consciously trying to make songs back in the early 1990’s.

What equipment are using?

FL Studio as my main DAW. Loaded with various plug-ins . I have some outboard gear too but I rarely use it, other than my mic which I use for my tutorials.

Do you have a preference with hardware or software?

My preference is with software for two reasons.. 1) it’s usually more affordable and 2) It’s usually more portable. Things like an MPC are portable too but a loaded laptop can pretty much replace an entire studio full of gear to some extent.

Are you pursuing music full time or is it just a hobby?

Strictly a hobby for me. I have had dreams of doing it big but my reality is that I’m not as highly motivated as the guys out there hustling.

How much time to you spend making music.

Not as much as I want. My website (www.warbeats.com) eats up a lot of my free time. On average I spend about 4 hours a week on just music. I respect what you are doing by the way. I think it will be a great resource.

Do you just produce or do you rap or sing too?

I have rapped on some of my own productions but it was strictly as an exercise to get a new perspective on making music from a rappers view. it was a fun experience but I’m not sure I learned much. I am a lousy rapper and a worse singer. Even Auto-Tune can’t help me there.

Do you sell beats?

Not really. I have put my beats up for free non commercial use (with credit) so I have had a lot of people using my beats. Despite the offers I have received for buying my beats, I guess I’m asking too much because no one has taken me up on that yet. I do submit beats privately to various projects but as of today, none have been picked up.

Can you please tell me about your Warbeats community and why did you start the site?

Warbeats.com is a place I started back in July of 2005. I had purchased the domain with the intent to be a strictly beat battle site on par with a site like rocbattles.

Some time before that I recorded a tutorial on how to make the basic Reggaeton beat and posted it on another of my domains. The big problem was that it was a 90meg video and so many people viewed it, my account got shut down. So I used my Warbeats account as a backup.

It has been growing ever since. We currently have about 45,000 members and it features files (over 900 FL Projects, sound kits, drum kits, etc). It has articles and interviews. It also has forums. And while my forums do have a beat battle area, I never got around to making it the beat battle site I had planned on. Of course the main focus of the site now is the video tutorials I post there. Right now I am at about 60+ of my own tutorials, and many more from other people.

Why did you pick FL studio as you main focus?

FL was a software that I just connected with when I first tried it back at version 3. It never bothered me that it had a funny name or looked different than everything else. I recognized that this little application could do some serious things that nothing else could do - if you took the time to look under the hood. And to me the price was reasonable (plus lifetime free updates). As you and your readers know, music gear is expensive! Finding something affordable and powerful is rare and appreciated in my world of audio production.

What tips do you have for new producers?

Don’t be afraid to try and fail. You will learn a lot through your failures and those lessons will stay with you the longest. You might lose at your first 10 beat battles but don’t get discouraged. You will get a lot of feedback in those losses. If you are humble enough to take the feedback without thinking its hate, you can grow faster.

What do have coming up in the future?

My music production is going slow at the moment. I have been in contact with various projects and management companies but nothing concrete.

As for Warbeats, I plan to just keep doing my thing - making tutorials. A lot of people appreciate the free videos and the helpful community at Warbeats. I hope it stays around as a valuable resource and stepping stone for everyone out there.

How can people get in contact with you?

You can hit me up at http://myspace.com/warbeatsmusic or via email nfx[at]warbeats.com

Video

Eyetel Photos

Eyetel info:
Website: http://www.mceyetel.com/
Myspace: http://www.myspace.com/eyetel